“The simplest and most full-blooded conception” is how Wagner described his opera Tristan and Isolde, which received a tremendous concert performance by a stellar cast and the LSO under Antonio Pappano’s baton at the Barbican. On the surface, that’s true. To describe the plot needs barely a paragraph. The hero, Tristan, is sent by the King of Cornwall to fetch the bride Isolde from Ireland. Aided by Isolde’s maid Brangäne’s love potion, they fall deliriously in love. The King discovers their treachery, Tristan is stabbed and lies helpless, waiting for Isolde to come across the sea and save him with her magic healing arts.
Ivan Hewett is the Chief Music Critic at various platforms including Yahoo News and The Telegraph. He covers a wide range of topics within the arts and entertainment realm, focusing on pop culture, the music business, concerts and festivals, and music genres. Ivan's insights and critiques are featured in notable publications such as Yahoo Sports UK, MSN, and AOL UK.





