Erica Jeal is a Deputy Editor at The Guardian. She specializes in arts and entertainment, focusing on music genres, concerts and festivals, as well as plays and musicals. Erica's work has been featured in The Guardian, Yahoo News UK, The Armenian Mirror-Spectator, and MSN.
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Erica Jeal’s focus is predominantly on providing reviews within the classical music and entertainment domain. She concentrates on evaluating performances, albums, opera, and concerts. If you have upcoming classical music events or album releases that would benefit from a review or if there are notable trends in the industry worth reviewing, reaching out to Erica could be beneficial.
Given her expertise in critiquing musical performances and albums, she may be interested in receiving press releases about new album launches or concert tours featuring classical musicians. Offering access to exclusive previews of such events can also enhance your pitch to her.
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By: Erica Jeal
Louisa Muller’s richly detailed production of Verdi’s tragedy is elevated by Madison Leonard’s magnetic Violetta and Douglas Boyd’s musical direction that reinvigorates the familiar score
By: Erica Jeal
Day breaks in Paris at the end of act one of La Traviata – and, at Garsington Opera's theatre, half-open to the surrounding Chiltern countryside, the birds provide the dawn chorus.
By: Erica Jeal
Lahav Shani's eight-year tenure at the helm of the Rotterdam Philharmonic is coming to a close – he becomes chief conductor at the Munich Philharmonic
By: Erica Jeal
Sinéad O’Neill’s production is persuasive and Beth Taylor’s performace as Orlando is extraordinary in this tale of unrequited love, madness and magic
By: Erica Jeal
The woodland outside Longborough's theatre, deep in the Cotswolds, sneaks inside and on to the stage for its season-opening production of Orlando.
By: Erica Jeal
This year’s Aldeburgh festival got underway with a stripped-back but ambitious staging by Rory Kinnear, distinguished by glorious playing and singing, and many inventive lighting effects
By: Erica Jeal
Trying to unlock the secrets of Debussy's opera Pelléas et Mélisande, based on Maeterlinck's symbolist play, is a slippery task at the best of times.
By: Erica Jeal
Alice gets a musical-theatre belter, the ‘Drink Me’ Bottle performs soprano acrobatics and the Caterpillar smokes his hookah like Audrey Hepburn
By: Erica Jeal
Will Todd's family-opera version of the Alice in Wonderland stories, premiered at Opera Holland Park in 2013 and well travelled since, has been something of a signature show for the company.
By: Erica Jeal
The welcome rediscovery of Mel Bonis continues, and the BBC Scottish Symphony Orchestra and conductor Rumon Gamba do full justice to her finely
