The London Symphony grasped the fire and fury of every neurotic climax in Tchaikovsky’s Fourth Symphony, which was followed by Vaughan Williams in experimental mode
Geoff Brown is a Contributor at The Times. He reviews classical music concerts and albums, drawing on his background as a film critic and his experience as a film historian. His work has been featured in a variety of publications, including the Worthing Herald, Classic Music, and Mojo4music, where he explores themes in the music business and various music genres.













