J. Peter Bergman is a journalist based in the Berkshires, Massachusetts. He writes theater reviews for The Berkshire Edge, LLC, focusing on local productions in the area. With a keen eye for detail and a passion for the arts, Peter provides insightful and informative critiques of the theater scene in the Berkshires.
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J. Peter Bergman’s coverage focuses primarily on theater reviews, with a strong emphasis on local productions in the Berkshires area of Massachusetts and neighboring regions. He is likely to be most responsive to pitches related to local theater events, especially those happening in smaller venues or community theaters.
Given his extensive focus on reviewing live performances, he may appreciate pitches that offer exclusive access to behind-the-scenes content, interviews with actors or directors, and insights into the creative process involved in producing these shows.
It's important for PR professionals or sources reaching out to J. Peter Bergman to emphasize their connection or relevance to the specific geographic area and theatrical scene he covers.
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By: Peter Bergman, Leyla Modirzadeh, Andre G. Brown, Carmen Borgia, Angela J. Davis, Burke Walker
If history and humanity are among your interests, this is definitely the play for you. If essentially wonderful acting is high on your list, I also recommend this play. If you want to be emotionally touched by a reiteration of facts, this play will do that.
By: J. Peter Bergman
The concept is there and a lot of talent is showcased on every level. It just isn’t ready for prime time.
By: Peter Bergman
This is a show I intend to see again before it completes its three-week run. I had that much fun at this, my fifth production of the show, and I suspect you will also.
By: J. Peter Bergman
This is better than excellent theater. It is on the other side of normal, next to it but beyond it.
By: Peter Bergman, Jules Barbier, Michel Carré, Jonathan Loy
"Faust" is, as always, a singer’s holiday and a hit. No one wrote a better musical setting of a great poem than Gounod. BOF’s production is a special three-hour event that should be on everyone’s list, even if you don’t like opera.
By: J. Peter Bergman
This witty, entertaining play is not quite perfect yet, but it keeps you laughing, keeps you intrigued, and keeps you satisfied with the experience.
By: Peter Bergman
This is ultimately a decent production. Laugh at what tickles you, and be prepared to cry real tears. Just don’t expect a hilarious, laugh-out-loud comedy. "Steel Magnolias" is not that show.
By: Peter Bergman, Belle Babcock, Tristan Caldwell, Conor Fallon, Ann Kielbasa, Tom Jones, Harvey Schmidt, John Saunders
I thought I never needed to see another production of “The Fantasticks,” but I am so glad I saw this one. It will be a classic in my memory, and it can do the same for you. It is a short run, so plan to see it very soon.
This unusual play is worth a look. You learn so much about the inner workings of a fine restaurant and the inner workings of a master chef.
By: J. Peter Bergman
While certainly not the best show written in the near past—that still belongs to “Something Rotten”—this is one of those very pleasant evenings of music and mirth that certainly deserves your attention.
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