Jen Chaney is a TV critic at Vulture. She specializes in reviewing movies and television, with a keen focus on arts and entertainment, and has contributed to prominent publications like the New York Times and the Washington Post. Jen is featured in New York Magazine and is the author of "As If: The Complete Oral History of Clueless."
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Jen Chaney's coverage indicates a focus on entertainment, particularly television shows and awards. She provides reviews, event coverage, expert commentary, and opinion editorials. To effectively reach out to her, consider offering insights related to the latest developments in popular TV shows or analysis of award ceremonies.
Given Jen's interest in specific characters and show endings as well as her seasonal content, she may be receptive to pitches concerning character analyses or predictions for upcoming seasons of popular TV shows. Additionally, given her review content type and expertise in the field of entertainment news specifically focusing on television shows and characters; experts with deep insights into these areas are likely to pique her interest.
It is important to note that Jen doesn't have a specified geographic focus but rather focuses on global entertainment trends.
This information evolves through artificial intelligence and human feedback. Improve this profile .
He’s surprisingly good — perhaps too good to be true.
Both Monsters and new documentary The Menendez Brothers omit and skew essential facts about the case.
Kristen Bell: a podcaster of a generation?
In a show that threatens to be too much, he’s giving just enough.
Bridget Everett told him, “It’s going to be hard for you, but I want it to be about your love for him.”
There is a great deal of uncertainty looming over this Election Day, but this much is 100 percent beyond doubt: Steve Kornacki, master of the MSNBC Big Board , is prepared for the moment.
The second season of Bad Sisters opens on a familiar note: The Garvey sisters screeching through their panic.
In The Black Sea, Crystal Moselle and Derrick B. Harden co-direct a lovely ode to finding one’s place even when feeling out of place.
Stephen Falk and his cast are ready for a follow-up film, if FX is ready to pay for it.
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