Jenn Pelly

The Bikini Kill singer mined decades of trauma to write her new memoir. She’s grateful she made it to the other side.

Like the feminist art she's made for over 30 years — the incendiary punk anthems and DIY ballads, the electronic rock and blazing fanzines — Kathleen

In the world of the Softies , to crush is to live. Their songs are pop miniatures where the spectrum of human feeling seems to ripple outward from

Woodland, the new album by Gillian Welch (left) and David Rawlings, is the latest in a long collaboration between two musicians who have built careers — and an influential legacy — out of the magnetic interplay between their voices and the strength of their musical ideas.

A boxcar tricks the eye. Atop its spinning wheels, no cargo, just the bones of a freight framing the heavens, shot through with blue.

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Read Jenn Pelly’s review of the album.

On her 149-stop Eras Tour, Taylor Swift made gigantic stadiums seem impressively small.

The final song played over the speakers before Taylor Swift took the stage every night of the Eras Tour was Dusty Springfield's cover of the feminist