Jenn Pelly is a Contributing Editor for Pitchfork, a popular music publication. Based in Chicago, Illinois, Jenn covers a wide range of music genres and artists, providing reviews, interviews, and features. Her work has also been featured in The New York Times.
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Jenn Pelly's coverage primarily focuses on music and entertainment news, with an emphasis on new releases, concerts, and events. She also covers stand-up comedy to a lesser extent.
Given her focus on event coverage and private sector announcements related to the entertainment industry, she would likely be interested in pitches that offer exclusive access or insights into upcoming music releases, concert tours, or significant developments within the music industry. This could include interviews with artists or behind-the-scenes looks at the production of albums or live performances.
As Jenn does not have a specific geographic focus but is based in Chicago (United States), it may be beneficial for sources to highlight any connections their pitch has to this region when relevant.
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Read Jenn Pelly’s review of the album.
By: Jenn Pelly
Jessica Pratt 's divine precision attunes the present to the past with an alchemy that feels outside time completely.
By: Jenn Pelly
Mystery manifests on Pratt's albums as the texture of dreams. But Here in the Pitch, her best album, feels completely lucid.
The Bikini Kill singer mined decades of trauma to write her new memoir. She’s grateful she made it to the other side.
By: Jenn Pelly
Like the feminist art she's made for over 30 years — the incendiary punk anthems and DIY ballads, the electronic rock and blazing fanzines — Kathleen
In the world of the Softies , to crush is to live. Their songs are pop miniatures where the spectrum of human feeling seems to ripple outward from
By: Jenn Pelly
Woodland, the new album by Gillian Welch (left) and David Rawlings, is the latest in a long collaboration between two musicians who have built careers — and an influential legacy — out of the magnetic interplay between their voices and the strength of their musical ideas.
By: Jenn Pelly
A boxcar tricks the eye. Atop its spinning wheels, no cargo, just the bones of a freight framing the heavens, shot through with blue.
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