Jerry Saltz is a Senior Art Critic at New York Magazine. His work focuses on arts and entertainment, with particular emphasis on art reviews, New York's vibrant art scene, and the intersection of art with climate change and social media. He has been featured in Magzter, Curbed, RealClearEnergy, Vulture, and Village Voice.
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New York, United States (Local)
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Jerry Saltz, an influential art critic, predominantly covers the art world with a focus on art shows and artist profiles. His articles often feature expert commentary and event coverage related to contemporary art exhibitions.
To effectively reach out to Jerry Saltz, consider providing unique insights into upcoming or ongoing art exhibitions, significant developments in the contemporary art scene, or perspectives from renowned artists. Additionally, pitches centered around in-depth analysis of emerging trends in contemporary art could align well with his areas of interest.
Given his frequent coverage of New York's artistic landscape and international relevance as a senior critic at New York Magazine, he might be particularly interested in stories that intersect with this geographic area but is also likely open to compelling narratives from other regions.
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By: Jerry Saltz
What a sight it must have been. On June 9, 1311, Duccio's The Maesta was paraded from his studio to Siena's cathedral.
By: Jerry Saltz
Brian Donnelly, a.k.a. KAWS, is one of the most famous artists alive. He seems to be everywhere, all the time.
The brilliant art-world cartographies of Loren Munk.
Loren Munk is unmissable. Dressed in white bespeckled painter's pants, this 73-year-old artist shambles into New York's galleries with a slightly crazed look.
Outsiders, Renaissance masterpieces, crazy quilts, and more.
Alex Katz, Matthew Barney, and Jamian Juliano-Villani face the darkness.
By: Jerry Saltz
What a great exhibition title: “The Bitch.” It describes so much and says so little. This is a two-person show of Alex Katz , 97, and Matthew Barney , 57.
IN NOVEMBER, Sotheby's made history when it sold for a million bucks a painting made by artificial intelligence. Ai-Da, "the first humanoid robot artist to have an artwork auctioned by a major auction house," created a portrait of Alan Turing that resembles nothing more than a bad Francis Bacon rip-off. Still, the auction house described the sale as "a new frontier in the global art market."
In conversation with an artist who has always claimed her own spaces.
By: Jerry Saltz
The paintings of Mickalene Thomas are big, bold, gaudy, and beautiful, embedded with rhinestones, daubed with phosphorescent color, and composed like crazy quilts.
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