Jia Tolentino is a staff writer at Vogue. She covers a range of topics including authors, books, publishing houses, as well as elections, government, politics, public policy, and security policy, often exploring the intersections of culture and governance. Jia's work has been featured in prominent publications such as The New Yorker and Magzter.
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Jia Tolentino's coverage spans a variety of topics within the entertainment, beauty & fashion, and government & politics realms. She might be interested in pitches that offer unique perspectives on current events or trends in these areas.
Considering her articles focus predominantly on event coverage, citing data, and profile features with themes such as entertainment news, beauty & fashion, and government & politics - she is likely to respond well to pitches offering exclusive access or insights into trending cultural phenomena, political movements or profiles of influential figures related to these themes.
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Also: the joys of marmalade, an Indian epic set to dance, the prog rock of Geordie Greep, and more.
By: Jia Tolentino, Justin Chang, Mitch Therieau, David Remnick, Inkoo Kang, Jennifer Wilson, Benjamin Wallace-Wells, Naomi Fry, Meghana Indurti, Michael Schulman, Adam Gopnik
Munro kept quiet about the sexual abuse of her daughter by her partner—but wrote about the family trauma in fiction.
By: Jia Tolentino, Joshua Rothman, Justin Chang, David Remnick, Inkoo Kang, Jennifer Wilson, Anthony Lane, Benjamin Wallace-Wells, Doreen St. Félix, Adam Gopnik, Richard Brody, Nikhil Krishnan
The songwriter and performer on her journey from pop music to theatre, with a live performance of “Gravity.”
By: Inkoo Kang, Jennifer Wilson, Justin Chang, Benjamin Wallace-Wells, Jia Tolentino, Adam Gopnik, Mitch Therieau, Naomi Fry, Michael Schulman, Rachel Syme, Meghana Indurti
From the daily newsletter: making it as an Everyman. Plus: Graham Norton, comedy butler to the stars; a political scientist on Israel’s widening war; and Marianne Jean-Baptiste’s performance for the ages.
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My first great love was a drunk. Her long dark hair falling over my face. But even that is made up. My mother wore her hair short. She used to cut it
Playing Joan Baez to Timothée Chalamet's Dylan in “A Complete Unknown,” Monica Barbaro took up sketching and picking.
Readers respond to Jon Lee Anderson's article about Javier Milei, Jia Tolentino's essay about the assassination of Brian Thompson, and Alex Ross's piece about Kali Malone.
A line will immediately form behind you. Someone will tell you his life story. Someone will declare you a landmark, and people will protest if you try to move from your designated site.
By: Amanda Petrusich, Adam Gopnik, Daniel Immerwahr, Susan Morrison, Jia Tolentino, Megan Marshall, Louisa Thomas, Inkoo Kang, Cal Newport, Benjamin Wallace-Wells, Helen Rosner, Mollie Cowger, Aimee Lucido
Didion’s appraisal of Martha Stewart, in which most glosses of the subject could also apply to the author, is an ur-text on contemporary feminine ambition.
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