Joe Pompeo is a Senior Correspondent for Vanity Fair, with his work also appearing in The New York Times. He covers a wide range of topics within the media industry, including profiles of influential figures, analysis of media coverage, and exploration of the challenges and trends in the industry.
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Joe Pompeo's coverage showcases a focus on the media industry, journalism, news outlets, and entertainment. He appears to be interested in articles exploring behind-the-scenes dynamics of media organizations and their impact on society.
Based on his article titles and themes covered, Joe might appreciate pitches related to investigative pieces or interviews with insiders about media industry trends, including those involving high-profile personalities or companies within the media landscape. Additionally, he may be interested in stories that delve into government policy affecting the media sector.
Given his interest in evolving stories and legal policy regulation alongside entertainment news and government & politics topics, consider providing insights into ongoing controversies within major news organizations or significant regulatory changes impacting the industry. These could include exclusive insider perspectives or analyses from authoritative figures familiar with these areas.
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By: Eve Batey, Katie Nicholl, Kase Wickman, Joe Pompeo, Charlotte Klein, Julie Miller
Since the last Biden-Trump face-off, the media company has a new owner and global mandate, as well as increased competition in DC from Politico alums. Managers are mobilizing accordingly, pressuring staff to up their game—and leaving some “demoralized and frustrated” in the process.
Adam Moss is a painter, but he will tell you, as he does in the introduction to his new book, that he feels silly saying so.
By: Amy Chozick, Joe Pompeo, Charlotte Klein, Richard Lawson, Max Gao, Maggie Coughlan
Ahead of Thursday’s final episode on Max, the show’s creator explains why the portrayals of sanctimonious scribes speaking truth to power don’t fit the times.
Death made the Gits singer an icon. A bandmate’s memoir makes her human.
As evinced by Matthew Perry's death, the lurid media circus around the first, public drug-induced end is still with us
'Daily Mail', Drudge and the Murdochs owe a debt to Bernarr Macfadden, whose 'PornoGraphic' paper rose on the fall of the world's most famous matinee idol
Exclusive excerpts from the actor's new memoir, ‘Sonny Boy’, reveal how his role in 'Dog Day Afternoon' was a turning point — and humanized a trans romance
The bitter, increasingly public feud between Politico's Ryan Lizza and New York magazine's Olivia Nuzzi took an even more salacious turn this week.
A bitter lawsuit, black wigs and major money (for one): The town wasn't big enough for two strivers cut from the same goth
By: Joe Pompeo
William d ’Alton Mann became one of the most powerful men in Gilded Age New York by selling his silence to the upper crust. Until they turned on him.
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