John Yau

In a career that stretches across a catastrophic half-century of health crises and wars, Avery applies his activist and empathetic social conscience to all he does.

Lacey Black and Aubrey Levinthal share a talent in their paintings for bringing inward and outward states together until they are one.

The longer I sat with the artworks in David Reed's studio, the more I felt that I wasn't fully seeing what was there.

In his paintings, Joshua Hagler seems to follow a path where logic and convention are left behind in favor of visions and dreams.

He has taken appropriation art, which often consists of commonplace acts of citation, quotation, and parody, and set it in a new direction.

Rhee's paintings change from pictorial presentations of a lush, dreamy world to a tangled web of different viscosities when we approach the surface.

Fearless, prolific, and protean from the start of his career, Thompson was able to absorb influences from both contemporary and historical artists without becoming derivative.

Her figures are in a state of unrelenting grief about what it means to be human and to feel powerless about so much that happens to ourselves and others.

His paintings are invitingly impenetrable, even as they stir up all sorts of associations, from mythological beginnings to rampant lust and greed.

His paintings invite us into a layered world we can move around and get lost in, without a destination.