Johnny Oleksinski

The “Dune” actor, who stars in the new film “A Complete Unknown,” out Dec. 25, admitted he was “panicked” to take on the role of the iconic “Like a Rolling Stone” crooner.

Expensive comic book movies, starry comedies, Christmas fare, Westerns and auteur-driven sci-fi epics all spectacularly imploded. Major titles played to a couple of dudes who snuck in at 11 a.m. Egos were obliterated.

The "Dune" actor, who stars in the new film "A Complete Unknown," out Dec. 25, admitted he was "panicked" to take on the role of the iconic "Like a Rolling Stone" crooner.

You’re acutely aware of the doubled runtime in the genial first chapter, “Wicked: Part One,” which has the same number of songs as Act 1 of composer Stephen Schwartz’s show, but an extra 60 minutes…

Something I won’t be saying on my death bed: “I wish I would’ve watched more shows about boats.”

Sir Elton knows his way around a flop. But even his 2006 vampire debacle “Lestat,” which The Post’s Clive Barnes declared as “bloody awful,” ran a little longer.

“The second [time a trigger is pulled] leads to a character’s accidental death, engendering a full-bore gasp from premiere attendees,” one critic wrote.

“Tammy Faye” has fallen harder than, well, Tammy Faye.

There is a miracle elixir in the campy musical “Death Becomes Her,” which opened Thursday night at the Lunt-Fontanne Theatre: Megan Hilty and Jennifer Simard.

“Blitz,” loosely gripping, doesn’t tap into our collective idea of what a war film is so much as it does the youthful, perilous journeys through 19th century Britain of Charles Dickens.