Jordan Mintzer is a journalist for The Hollywood Reporter, specializing in film reviews and critiques. With a keen eye for detail and a passion for cinema, Jordan provides insightful analysis and commentary on a wide range of movies, from thought-provoking dramas to thrilling action films.
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Jordan Mintzer's focus is predominantly on film reviews, with an emphasis on international and foreign language films. Given this, he would likely be interested in pitches related to new releases or behind-the-scenes insights into the making of such films.
As a reviewer of international cinema, Jordan may appreciate perspectives from filmmakers, actors, or industry insiders who can provide unique cultural and production insights about the movies he covers. Additionally, individuals with expertise in specific genres like thrillers or dramas could offer valuable contributions to his coverage.
Since there is no specified geographic focus for Jordan's articles, pitches related to film industry developments across different countries and regions could resonate well with him.
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By: Jordan Mintzer
· 4-min read The war is far away, but ever so close, in Battleground Campo di Battaglia ), director Gianni Amelio's sober study of
By: Jordan Mintzer
James Badge Dale and Melissa Leo co-lead the ensemble in John Swab's Oklahoma-set story, which follows several characters facing off in a brutal drug war.
By: Jordan Mintzer
Premiering in Venice, the latest from the director of 'Her Smell' uses different formats and genres to explore the highs and lows of a group that was more respected than it was ever mainstream.
By: Jordan Mintzer
In the fourth feature by directors Delphine and Muriel Coulin ('17 Girls'), Vincent Lindon plays a father whose older son gets drawn into a group of extremist thugs.
By: David Rooney, Caryn James, Daniel Fienberg, Leslie Felperin, Jordan Mintzer, Stephen Farber, Lovia Gyarkye
The Hollywood Reporter critics weigh in on this year's crop of titles, from biopics to documentaries, sweeping epics to intimate character studies, tear-jerking dramas to laugh-out-loud comedies.
By: Jordan Mintzer
Director Dani Rosenberg ('The Vanishing Soldier') shot his latest feature at the Nir Oz kibbutz just weeks after the attacks that ignited the current Israel-Hamas war.
By: Jordan Mintzer
The first feature from writer-director Christopher Andrews, about a violent turf war between two families of sheep herders, premiered in Toronto.
By: Jordan Mintzer
The latest feature from the director of '2 Days in Paris' reveals what happens when a tiny French town welcomes a Syrian family into its midst.
An ambitious American immigrant saga, Nicole Kidman’s steamy erotic thriller, an intimate John Lennon doc and a trippy Luca Guadagnino-Daniel Craig collaboration are among our reviewers’ 15 faves out of Venice, Telluride and Toronto.
Dissident Iranian filmmaker Mohammad Rasoulof, a longtime critic of the regime (THERE IS NO EVIL, MANUSCRIPTS DON’T BURN), shot his latest, THE SEED OF THE SACRED FIG (Special Jury Prize winner at the Cannes Film Festival) clandestinely — fleeing the country after receiving an 8-year prison sentence. His new film is a tense familial drama: when Iman is promoted to investigating judge on Tehran’s high court, he and his wife, Najmeh, are excited for their elevated social status. But when his government-issued gun goes missing while his daughters Resvan and Sana are glued to their phones, expressing support for women-led student protests, Iman grows increasingly paranoid and mistrusting of his own loved ones. Not only a lacerating critique of a patriarchal regime crumbling from within, but “a thriller of propulsive skill and blunt emotional force, marrying the muscularity of an action film to the psychological intensity of a chamber drama.” —Justin Chang, The New Yorker
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