In the cultural wasteland of the Reagan era, they showed that a band could break through to mass appeal without being cheesy, or nostalgic, or playing hair metal.
Joshua Rothman is an Ideas Editor for The New Yorker, focusing on national issues in the United States. He writes articles on a wide range of topics, including culture, technology, history, and current events. With a keen eye for thought-provoking stories, Joshua brings a unique perspective to his writing that engages readers and sparks conversations.