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Kahron Spearman
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Kahron Spearman

Contributing Writer

AS SEEN ON
The Mary Sue, The Austin Chronicle

Preston's Summary

Kahron Spearman is a contributing writer at The Mary Sue. Based in Austin, he covers a wide range of topics including government and politics, culture and society, and arts and entertainment, often exploring themes related to social issues, music, and technology. Kahron's work has also been featured in The Austin Chronicle and The Daily Dot.

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Geo Focus

United States (National)

Coverage Attributes:

Beta
Opinion Editorial: 20 %
Cites Data: 11 %
Expert Commentary: 11 %
Evolving Stories: 10 %
How To Guide: 9 %

Themes Covered:

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Most Recent Topics:

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Pitching Insights

Kahron Spearman's coverage mainly revolves around internet memes, pop culture, social media, and entertainment news. To effectively reach out to him, consider offering expert commentary or exclusive insights into emerging internet trends or popular culture phenomena. You could also provide analysis on the impact of these trends on society and vice versa.

Given that Kahron frequently covers how-to guides related to memes and popular culture references, providing a unique perspective or practical advice within these areas could be an effective approach.

He does not seem to have a specific geographic focus but rather takes a broad view of internet and pop culture phenomena without being restricted by location.

This information evolves through artificial intelligence and human feedback. Improve this profile .

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Articles

The Austin Chronicle

Cyndi Lauper, Pleasure P, Luxury Television, and More Crucial Concerts

Cyndi Lauper, Pleasure P, Luxury Television, and More Crucial Concerts

By: Derek Udensi, Joe Gross

Duster couldn’t have timed their second act better. The San Jose slowcore masters released two great, but relatively underground, albums during their initial Y2K-era run before disbanding for nearly 20 years. Shortly after reemerging with 2019’s Duster, the kids on TikTok discovered the melancholy guitar noodles and spacey drones of 1998 magnum opus

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