Kathryn Vanarendonk is a Staff Writer at New York Magazine. She focuses on culture and society, covering topics such as reviews, television, and notable events like the Golden Globe Awards and holiday celebrations. Kathryn's work has been featured in Magzter and Vulture.
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Kathryn Vanarendonk's articles focus on entertainment, including reviews and expert commentary. She may be interested in pitches related to new and unique aspects of the entertainment industry such as thought-provoking analysis or insider perspectives on television shows, comedy specials, and other forms of entertainment.
Given her interest in providing expert commentary and reviews within the field of entertainment, she might be receptive to pitches from individuals who have deep insights into trending TV shows, comedy specials or specific elements of popular culture. This could include writers, entertainers or critics with a fresh perspective on ongoing trends in the industry.
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The release of Bill Hader and Kristen Wiig 's movie The Skeleton Twins marked a transition in both of their careers.
While network dramas are enjoying a renaissance moment thanks to the success of Matlock and High Potential and the not-success-but-undeniable-batshittery
If he can’t have fun with his cool male-grievances show then nobody can have fun.
Not content to kill off Kevin Costner, Taylor Sheridan wrote a Yellowstone plot about a super-cool dude everyone admires (played by Taylor Sheridan).
Bridget Everett’s HBO half-hour counted its victories in developments modest by TV standards and monumental on the scale of everyday life.
Ghost wolves????
For every peak there is a valley, and the TV of 2024 is full of them.
Severance season two delivers answers. But its greatest pleasure is returning to this world and finding it still exists.
Sometimes the effort to give an hour-long special an overarching theme feels strained, and in Roy Wood Jr.'s Lonely Flowers , it looks at first like that effort might not entirely pay off.
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