Lindsay Zoladz is a music journalist who writes for The New York Times, The Spokesman-Review, and The Anand Market. With a passion for exploring new music and cultural trends, Lindsay's articles focus on reviewing and highlighting new songs, albums, and collaborations across various genres.
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Lindsay Zoladz's coverage is heavily focused on music, including album releases, new songs, and artist collaborations. Her articles encompass a variety of themes such as event coverage, seasonal content, expert commentary, and announcements related to the entertainment industry.
Considering her strong emphasis on music reviews and new song releases across different genres, pitches for interviews with artists or industry experts discussing upcoming albums or trends in the music industry are likely to resonate well with Lindsay.
Given her focus on seasonal content and events within the entertainment sphere, providing insights into emerging holiday-themed music or predictions for popular tracks during specific seasons could also be an effective approach.
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The singer’s over-the-top sincerity and expressiveness were once seen as irredeemably uncool. In the new documentary “I Am: Celine Dion,” they have become her superpowers.
By: Jon Pareles, Lindsay Zoladz
Hear tracks by the Linda Lindas featuring Weird Al Yankovic, Chlöe and Anderson .Paak, Lou Reed’s early band and others.
By: Jon Pareles, Lindsay Zoladz, Hank Shteamer
Anticipated debuts and long-awaited follow-ups are due this season. Our critics plucked out a list of the most notable.
Hear tracks from his new album, “Manning Fireworks,” and more.
The pop singer’s latest LP, “143,” has been gleefully panned, but its musical faults aren’t as remarkable as Perry’s failure to read the current cultural moment.
I recently got back from a whirlwind trip to Quebec City, where I reported on the opening night of Billie Eilish's world tour. I was curious to see how the 22-year-old Eilish would stage and perform the songs from her latest album, the sonically adventurous “Hit Me Hard and Soft” — especially those that require the oft-whispery-voiced singer to belt to the rafters. One of those songs has a lofty but familiar title: “The Greatest.” I have long dreamed of compiling an Amplifier playlist of songs with the same name. Watching Eilish perform “The Greatest,” probably the emotional apex of the whole show, I realized she was offering me the perfect opportunity.
By: Wendy Dorr, Lindsay Zoladz, Kate Lopresti, Isaac Jones
Our critic on the dynamic women dominating the charts.
The playlist to get you through Major League Baseball’s long offseason.
Listen to Gas, Hiroshi Yoshimura and Lou Reed (yes, that Lou Reed).
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