Lyndsey Winship is a journalist and writer who contributes to The Guardian and Knowledia. Her work also appears in Cigalah Group. Lyndsey specializes in writing about the arts, including dance, theater, and comedy, and provides insightful reviews and coverage of cultural events and performances.
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Lyndsey Winship primarily focuses on reviewing various forms of performing arts such as theatre, dance, and comedy. Her coverage is mainly centered around providing critique and analysis of artistic performances.
If you are involved in the theater, dance, or comedy industry and have upcoming shows or performances that would benefit from a professional review, reaching out to Lyndsey with press releases or invitations may be beneficial.
Given her focus on reviews of live performances, she might also be interested in exclusive previews or behind-the-scenes access to productions for an in-depth look at what goes into creating the art she covers.
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By: Lyndsey Winship
Simone’s songs are repurposed in all their glory, essaying a relationship both combative and conciliatory in this show by Rendez-Vous Dance
By: Lyndsey Winship
Aakash Odedra circles and swoops to Rushil Ranjan’s powerful music in this buoyant and joyful show
Lyndsey Winship A festival as overstuffed with acts as Edinburgh brings on the worst kind of Fomo.
By: Lyndsey Winship
She used to love cutting a rug – until she gave up drinking. Now, the comic has used dance to heal her wounded self-esteem – and explore the funny side of contemporary choreography
By: Lyndsey Winship
The documentary Swan Song shows ballerinas pushing themselves to extremes in pursuit of perfection. Kain and Campbell, its star and producer, talk about the agony and ecstasy of elite performance
By: Lyndsey Winship
Company of Others is performing rituals at King Edward’s Bay, Tynemouth. Director Nadia Iftkhar hopes to help audiences – and passersby – open up about bereavement
By: Arifa Akbar, Lyndsey Winship, Brian Logan
Why Am I So Single sets dating angst to music; more Hollywood stars hit the West End; and a Brummie dance trilogy reaches its finale
By: Lyndsey Winship
As a child in Lagos, he felt like Billy Elliot, following a passion for dance despite his family’s disapproval. Now, having found success in France, he’s returned to his native Nigeria to mastermind a pan-African creative awakening
By: Lyndsey Winship
Lyndsey Winship Qudus Onikeku could have chosen an easier life. The Nigerian choreographer moved to France aged 20, launched his own company
By: Lyndsey Winship
Impresario Jamiel Devernay-Laurence brings dance of all flavours to a new audience with this lively serving of latin, hip-hop, ballet and a chef’s kiss tap solo from Steven McRae
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