Mark Feeney is an arts writer at The Boston Globe. He focuses on themes related to arts and entertainment, photography, and cultural movements, often exploring topics such as analog and digital photography, fine art, and issues of diversity and inclusion. Mark's work has been featured in The Boston Globe, BMJ, and NewsBreak.
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Winchester, United States (Local)
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Mark Feeney's articles predominantly revolve around photography, art exhibitions, and film festivals with a local focus on Boston and Massachusetts. If you are involved in the photography or art world within this region, providing insights into upcoming events, new exhibitions, or unique perspectives on the local arts scene could be valuable for his coverage.
As he frequently covers specific shows and cultural events in Boston, reaching out with press releases about upcoming gallery openings or local film festivals may also capture his attention.
Given the emphasis on entertainment and lifestyle themes combined with a focus on visual arts such as photography and history-related pieces about significant figures like Henry A. Kissinger from time to time would fit well within Mark Feeney's area of interest.
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‘Made in America' looks at manufacturing, and ‘Art of Noise' at how we listen NEW YORK — There's a great and noble tradition of photography about workers and industry.
That's what Astor Piazzolla said of “Tango: Zero Hour,” and he meant it.
Early television has its holy trinity of sitcom stars: Lucille Ball, with “ I Love Lucy ”; Phil Silvers, with “You'll Never Get Rich” (a.k.a “The
By: Mark Feeney
Madison Avenue has a long history of putting celebrities in ads. Famous people attract attention, and attention is what advertisers want to attract. That way sales lie.
By: Mark Feeney
Heading the lineup is ‘The American Revolution,' streaming for free for seven weeks
Has there ever been a more justified nickname than “Saxophone Colossus”? That's what people called Sonny Rollins. Of course they did.
By: Mark Feeney
The heroically scaled images in Azadeh Akhlaghi's “From Iran: A Visual Testimony” are stunning. One look, and you keep looking.
5 shows look at American independence from a mostly verbal perspective
By: Mark Feeney
Constantine Manos's photographs of Boston were shown at the city's Bicentennial pavilion starting in 1975. A half century later, they still radiate life.
The celebrated architect's work materials include 1,500 rolls of drawings, 50 models, and 1,000 linear feet of manuscripts.
