Mary Pollard is a journalist and critic specializing in the local theater scene in London. With a focus on reviewing and analyzing performances, Mary provides insightful and detailed critiques of various productions, offering readers a comprehensive understanding of the theater landscape in the city.
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London, United Kingdom (Local)
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Mary's coverage predominantly focuses on theatre reviews, with a local (United Kingdom, London) geographic focus. She may be more responsive to pitches related to theater productions in the London area or those that have relevance or resonance with the local audience.
Given Mary's extensive coverage of theatre productions and reviews, she is likely interested in receiving information about upcoming shows, unique performances, or behind-the-scenes insights from actors and directors. Additionally, she might also respond well to pitches regarding new trends and developments within the London theater scene.
As her articles are primarily focused on theater reviews based in London, reaching out with details about innovative theatrical experiences or exclusive access to interviews with key players involved in the local theater industry could capture her interest.
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An hour of energetic storytelling and song, drenched in African sunshine.
Explore the powerful new play Wish You Were Here, directed by Sepy Baghaei at the Gate Theatre. Discover how the lives of five Iranian women evolve in the aftermath of the 1979 Iranian Revolution, running 24th Oct – 23rd Nov.
A breathtaking and imaginative sensory experience that allows us to viscerally experience a journey to understand love.
A refreshingly 21st century sensory experience for babies and their adults. Smiles all round!
By: Mary Pollard
A selection box of fascinating examples from thirty years of Applied Puppetry practice set in a heavily academic framework.
A journey in and out of time, with black holes and bear traps.
A showcase of extraordinary talent from some of the country’s leading disabled performers.
ET's Mary Pollard joined Maka Marambio de la Fuente, Oily Cart’s Access and Wellbeing Officer, to explore their sensory "at-home" show A World Beneath Us, witnessing how this unique approach fosters true inclusion. Rooted in the social model of disability, Oily Cart’s work removes barriers, ensuring that each participant can connect, create, and share in the magic of theatre.
A crafted articulation of grief that beautifully recognises the existence of life even in death.
A frosty fable with a heartwarming message of care and conservation.
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