Matthew Creith

Viet and Nam hit the festival circuit earlier this summer when it premiered at the Cannes Film Festival in the Un Certain Regard section. Competing for the coveted Queer Palm but ultimately losing that prize, the film has gone on to great acclaim with critics and audiences that get the chance to see it during its festival run. Director Truong Minh Quy's epic drama about two coal miners falling in love is a blend of history and 2000's era queerness that has rocked the country of Vietnam to its core.

But Anderson is the reason to watch “The Last Showgirl.” Her breathy and high-pitched performance is a daring addition to the Vegas-set movies of yesteryear.

“As long as I'm boxing…I'm going to be ok.” Boxing legend Claressa Shields has a stellar nickname, bestowed upon her since the age of 11.

“It's amazing what family is willing to do for each other.” Director Dito Montiel made a name for himself with a stellar debut in the film

Matthew Creith · 4 min read “We are negotiating a transaction of ideologies.”

The Toronto International Film Festival has no shortage of queer offerings this year, chief among them the new film, On Swift Horses . Directed by Daniel Minahan ( Fellow Travelers ) and starring Jacob Elordi, Daisy Edgar-Jones, Diego Calva, and Will Poulter, the film is adapted from the novel of the same name by Shannon Pufahl. The movie tells the story of Muriel (Edgar-Jones) and her husband Lee (Poulter), as well as the latter's brother Julius (Elordi), who comes to visit his family in post-war 1950s Kansas.

When I first moved to Denver, Colorado, I had heard stories about the Mexican restaurant Casa Bonita.

Challengers director Luca Guadagnino and screenwriter Justin Kuritzkes bring the novel by William S. Burroughs about post-war gay men living in Mexico to the screen in an unusual fashion…

In the first few minutes of Will & Harper , the new documentary that had its international premiere at the Toronto International Film Festival this week, actor Will Ferrell explains his longtime relationship with comedy writer Harper Steele. A partnership that the actor claims is primarily responsible for any movie that Ferrell has been a part of in which his fans could ask, “Why would Will Ferrell do this movie?”

“This town is where feminism goes to die.” Those are the words of one Maeve Simpkins (Charlotte MacInnes), an outspoken woke teenager forced by her