Mike Jacobs is a Music Director at KIOS. With a rich background in arts and entertainment, he specializes in music genres and hosts programs such as “Blues in the Afternoon” and “Jazz in the Afternoon,” while also contributing to energy topics like policy and sustainability. Mike's work has been featured in publications including All About Jazz, Pwinsider, and the Union of Concerned Scientists.
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Mike Jacobs' coverage predominantly focuses on birdwatching, nature, wildlife, and conservation. He often provides expert commentary and cites data to support his articles. Given this pattern, experts in ornithology, environmental science, or wildlife conservation may find success pitching insights related to the topics he covers.
Additionally, as Jacobs has a seasonal focus and frequently mentions local events in Fargo and Grand Forks, North Dakota; individuals with knowledge of regional birdwatching trends or specific local wildlife conservation efforts may be particularly relevant for outreach.
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FRIDAY JANUARY 2 at 5:30 PM BSO PRESENTS: CHURCH OF BLUES
The KIOS 91.5 FM Blues Chart for December 2025.
By: Robert Walton
Demand from the data center boom combined with worsening extreme weather events puts our electric system at heightened risk, writes Union of Concerned Scientists Senior Manager Mike Jacobs.
THURSDAY APRIL 16 at 6:00 PM BLUES SOCIETY OF OMAHA PRESENTS: SELWYN BIRCHWOOD ALBUM RELEASE PARTY THE WAITING ROOM 6212 MAPLE ST. OMAHA, NE
The KIOS 91.5 FM Blues Chart for March, 2026
1.SELWYN BIRCHWOOD / ELECTRIC SWAMP FUNKIN' BLUES / ALLIGATOR
FRIDAY MAY 22 5:30 P.M. BSO PRESENTS MATHEW CURRY WITH TRUE BLUES (BLUESED) B. BAR 4330 LEAVENWORTH STREET OMAHA, NEBRASKA
As plans for data centers with energy needs bigger than many cities pour into communities and electric utility business offices, some people are asking: “what will that do to the reliability of the electric system?” I was alarmed to learn that the collective body of utilities focused on reliability
THURSDAY JUNE 4, 6:00-9:00 PM BSO & NOMA PRESENT CHRIS CAIN
Though, what might be called the "seminal version" of this tune—on Bass Desires (ECM, 1986)—is much more widely known, this rendition, featuring in
