Natalia Keogan is a journalist and writer whose focus lies in the film industry. She writes for FILMMAKER magazine and her work has also been featured in the Houston Chronicle and Paste Magazine. Natalia covers a range of topics including film festivals, independent films, and interviews with directors and filmmakers.
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Natalia Keogan's focus is on the film and documentary industry, with a significant emphasis on announcements. Her coverage indicates a preference for exclusive content and expert commentary, suggesting she may be open to pitches providing unique access or insights into the film industry.
Given her focus on announcements and exclusives, Natalia would likely welcome pitches that offer behind-the-scenes details of upcoming films, documentaries, or related events. Additionally, she might be interested in interviews with industry experts who can provide valuable perspectives on trends within the film and documentary sectors.
While Natalia does not appear to have a specific geographic focus, her coverage primarily encompasses entertainment news from various locations without a particular regional bias.
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Alexandre Aja delivers another certified chiller with Never Let Go, this time featuring an incredibly rugged performance from Halle Berry.
By: Natalia Keogan
Lisandro Alonso explores three interwoven timelines in Eureka, which focus on the consequences of colonial violence on Indigenous identities.
After the sudden death of her best friend and roommate Izzy (Sofia Dobrushin), Anna ( Grace Glowicki
A minor character from Rosemary’s Baby is given a strange spotlight in Natalie Erika James’ sophomore feature Apartment 7A.
A group of college friends use a body-swapping contraption to deceive, delight, and devastate each other in It’s What’s Inside.
By: Natalia Keogan
Dominique Dussault, Juliette Gariépy, Pascal Plante,
By: Natalia Keogan
Steve McQueen follows last year's Amsterdam-focused WWII doc Occupied City with this historical drama about a boy who traverses London to reunite with his mother during the early days of the blitz.
Photo Source: Conrad Ricamora and Cole Escola in “Oh, Mary!” Credit: Emilio Madrid
By: Natalia Keogan
Publication with a focus on independent film, offering articles, links, and resources.
By: Natalia Keogan
Publication with a focus on independent film, offering articles, links, and resources.
(833) 317-6278 
