Norman Lebrecht is a journalist and writer who focuses on classical music and culture. He writes for SLIPPEDISC LTD and his work has also appeared in Ludwig Van, The Wall Street Journal, and The Critic Magazine. Lebrecht is known for his insightful articles on musicians, conductors, and the classical music industry.
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Norman Lebrecht's articles predominantly cover entertainment news, with a strong focus on classical music and opera. His coverage attributes include profile features and event coverage.
If you're looking to reach out to Norman, consider offering profiles of renowned musicians or conductors, insights into significant events in the world of classical music and opera, or exclusive stories about prominent figures in these fields. Additionally, pitches related to new developments or trends within the classical music industry could also be well-received.
Given that Norman's geographic focus is not specified but his content covers international artists and events, he may appreciate pitches featuring globally relevant topics rather than those limited to specific regions.
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The Observer music critic Fiona Maddocks rates Death in Venice as her signature opera experience of the year. Read her full rankings here.
Ars Choralis Coeln has announced the death of its founder, the versatile mezzo-soprano Maria Jonas.
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Those of us old enough to hear Nathan Milstein in our youth will never forget the sound, the charm, the sheer joie de vivre of a violinist who made the greatest of his rivals seem cold and showy.
Fans have uploaded a performance of Schubert’s four-hand Fantasie, played on their recent tour by Yuja Wang and Vikingur Olafsson. There is much to admire in it by way of structure and accuracy, but the dynamics are extreme and the expression feels synthetic.
The magnificent German mezzo, later an imposing theatre and festival director, gives a rare interview to Zsolt Bognar. Now 85, Brigitte involves her successor as director, Josef Köpplinger, as an intermediary in the conversation.
In The Bleak Midwinter – Wigmore Hall Why is this the world’s most popular Christmas carol? Its message (thanks to Christina Rosetti) is miserable and, what’s more, inaccurate. Assuming that Jesus was in fact born in December, and there’s no contemporary proof of that, it was December in Bethlehem and If you’ve been there in December (I have) you will know that there’s a chance of rain but never is it bleak nor, for that matter, does Bethlehem have a bleak mid-winter. Chances are that the poor pregnant teenager got saddle-sores from the donkey ride because it was too hot to undertake such an uncomfortable journey in that climate and in her condition.
The Syracuse Opera Company has filed for bankruptcy, following repeated cancellations over the past two seasons.
A barely recognisable version of Puccini’s last opera opened in Seoul on Sunday after its director stormed out hours before the premiere and many rows of seats were removed after poor ticket sales.
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