Contributing Writer And Contributing Editor
Peter Tonguette is a contributing writer at the Washington Examiner and a contributing editor of The American Conservative. He covers a diverse range of topics including the film industry, arts and entertainment, and workforce issues, often exploring themes related to filmmaking and professional sports. Peter's work has been featured in notable publications such as First Things Magazine, The Wall Street Journal, and National Review.
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Columbus, United States (Local)
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Based on Peter Tonguette's coverage attributes, he focuses predominantly on local events and entertainment news in Columbus, Ohio. His articles often feature event coverage and seasonal topics related to cultural activities and entertainment. Given this focus, individuals or organizations involved in upcoming events, festivals, art exhibitions or local performances in Columbus would find his attention.
Peter also includes expert commentary occasionally within his articles. Hence, experts with insights into the entertainment industry trends or perspectives on cultural happenings may attract his interest.
Given that Peter concentrates primarily on local content around Columbus events and culture & society topics like art and holidays are likely to resonate well with him. If you have information about unique local happenings or artistic endeavors specific to Columbus, it could be a good fit for outreach to Peter Tonguette.
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Is there something to be said for enforced stillness?
By: Peter Tonguette
Who would have guessed that an Italian film made in 1957, starring one icon of that nation's cinema (Marcello Mastroianni) and directed by
As the credits roll, the ticket-buyers reenter the world.
I did not grow up in a large family—I count among my relations one sibling and a handful of cousins—and certainly not in a blended family: My dear parents were married once, to each other, for 44 years, until my father died in 2010. My mother never remarried. Yet when I recall my childhood and adolescence, I am struck by the sheer clamor that rings in my ears: the talk, the chatter, the ding of kitchen pots and pans, the crash of the backdoor. My father's whistle upon coming home from a business trip; my mother's laugh when she saw something funny on TV.
By: Peter Tonguette
Early attempts to present real events on celluloid sometimes combined on-the-scene footage with staged reconstructions.
To call Spider-Man: Brand New Day a movie is to do a disservice to all other examples of filmed entertainment that bear the name.
By: Peter Tonguette
The real end of Oak Street comes not from the feet and chompers of the dinosaurs but from a moviemaker who revives the idyllic 1980s only to desecrate them with wokeness.
In the pews, a manly example is indispensable.
The End of Oak Street may seem like a harmless, companionable, feel-good potpourri made up of parts from E.T. the Extra-Terrestrial Jurassic
By: Peter Tonguette
I am an efficient but unspectacular cook. I have a sense of how long to sear a New York strip steak before putting it in the oven, and on a
