Glenn Kenny is a film critic and author known for his work in various publications such as The New York Times, Decider.com, and the Roger & Chaz Ebert Foundation. He has written extensively on film, including reviews, essays, and interviews, and has a particular focus on classic and contemporary cinema.
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Glenn Kenny predominantly covers movie reviews, with a focus on entertainment and film-related news. Given his extensive coverage of film reviews, he would likely be most responsive to pitches offering films for review or providing exclusive access to industry professionals for interviews related to the filmmaking process.
Considering Glenn's consistent focus on reviewing movies, PR professionals could effectively reach out with new releases or emerging trends in the film industry that align with his areas of interest. While there is no geographic focus specified, given the nature of film promotion and release cycles, targeting international releases or events may enhance outreach efforts.
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Jake Gyllenhaal stars a pro fighter turned bouncer at a juke joint in the Florida Keys, taking on Patrick Swayze’s role in the original.
This heart-string-tugging Netflix movie about a homeless soccer team, featuring Bill Nighy and Micheal Ward, puts the emphasis on play and uplift.
The launching pad for Bertrand Bonello 's new picture “The Beast” (“La Bete”) is a 1903 short story by Henry James called “The Beast in the
This documentary details how the coolest video collection in downtown New York ended up in a small Italian town.
“My relationship with food is complicated …very complicated. Because I have Type 1 diabetes,” says Larissa Zimberoff, author of the investigative
By: Glenn Kenny
He was no Jim Brown.
By: Glenn Kenny
Where to Stream: Hearts of Darkness: A Filmmaker's Apocalypse Powered by Reelgood More On: obits O.J.
This understated tear-jerker sees a dying single father making future family plans for his toddler son.
Hamaguchi is a fluent filmmaker who’s capable of being very tricky.
By: Glenn Kenny, Samuel Hine, Cam Wolf, Vivian Morelli
The writer-director talks about diving deep into the ‘80s drug underworld while writing Brian De Palma’s crime classic—and kicking his own habit in order to finish the script.
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