Glenn Kenny is a film critic and author known for his work in various publications such as The New York Times, Decider.com, and the Roger & Chaz Ebert Foundation. He has written extensively on film, including reviews, essays, and interviews, and has a particular focus on classic and contemporary cinema.
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Glenn Kenny predominantly covers movie reviews, with a focus on entertainment and film-related news. Given his extensive coverage of film reviews, he would likely be most responsive to pitches offering films for review or providing exclusive access to industry professionals for interviews related to the filmmaking process.
Considering Glenn's consistent focus on reviewing movies, PR professionals could effectively reach out with new releases or emerging trends in the film industry that align with his areas of interest. While there is no geographic focus specified, given the nature of film promotion and release cycles, targeting international releases or events may enhance outreach efforts.
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By: Glenn Kenny
A mix of too much lousy animation and too little wave-riding footage.
By: Glenn Kenny, Dillen Phelps
Where to Stream: Joy of Sex MORE OPTIONS Powered by Reelgood More On: The Problematics
The opening twenty minutes of “Close Your Eyes,” the third fiction feature from Spanish director Victor Erice , and his first film in thirty years (his
Woo’s new version of his Hong Kong action movie “The Killer,” starring Nathalie Emmanuel and Omar Sy, may be a remake, but it’s not a retread.
By: Glenn Kenny, Dillen Phelps
Where to Stream: Natural Born Killers MORE OPTIONS Powered by Reelgood More On: The Problematics
By: Glenn Kenny
As Nirvana's “Nevermind” proved, even anti-ironic expression was subject, somehow, to irony.
By: Glenn Kenny
As Nirvana's "Nevermind" proved, even anti-ironic expression was subject, somehow, to irony.
In this unabashed love letter to former president Ronald Reagan, Dennis Quaid fights the Cold War with conviction.
After a screening of “Babygirl,” the Nicole Kidman showpiece about dominance and submission in the workplace that shook up the Biennale on Friday, a
On the film's of this year's Biennale College program, with some thoughts on the latest from Almodovar and Guadagnino too.
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