And the film understands that to label violent offenders with the familiar epithets, such as evil or monster, is to distance them from personhood, and therefore, undermine symptomatic aspects of the human and sociocultural experience. The film does not posit excuses for violence, and neither should we, but instead it prompts reflections on where compassion and control are needed, and where the pursuit of them falters.
Peyton Robinson is a freelance film writer based in Chicago, IL. With a passion for exploring the intersection of identity, relationships, and the human condition through cinema, she covers various themes in the film industry, including filmmaking and genre-bending narratives. Peyton's work has been featured in Knowledia and the ROGER & CHAZ EBERT FOUNDATION.













