Pippa Bailey is a managing editor and writer at New Statesman. She focuses on culture and society, exploring themes such as religion, health, and general assignment news, while also delving into topics like Christmas, holidays, and book reviews. Pippa's work has been featured in The Australian Financial Review, WARC, and New Statesman.
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Pippa Bailey's articles cover a wide range of lifestyle, entertainment, and cultural topics with an emphasis on expert commentary. For pitches to Pippa, consider offering experts who can provide insightful commentary or analysis related to lifestyle trends, family & relationships dynamics, entertainment news, literature critiques/reviews and profiles of notable figures in the arts and culture.
Given her focus on national coverage within the United Kingdom and recurring themes related to London life and cultural context across different countries (like China, US), she may be particularly interested in pitches that tie into these geographic or sociocultural aspects.
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Also featuring Immaculate Forms by Helen King and Augustus the Strong by Tim Blanning.
A cynic might say that his conversion is not really a conversion at all. Earlier this week a colleague asked me about my baptism.
My fitness app is helping me set realistic goals, and it’s been transformative.
The actor, now firmly in his villain era, is tremendous fun in this preposterous horror.
Perhaps it is the weariness of age, or that it’s hard to find optimism in politics these days.
After watching this two-and-a-half-hour show, it’s hard not to feel a little closer to God.
Can the next archbishop of Canterbury unite a divided Church?
By: Pippa Bailey
Like tides, we go out and come back again. But our annual gathering has become part of the rhythm of our friendship.
The geophysicist and archaeologist on uncovering Petra’s secrets.
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