Rachel Handler is a features writer at Vulture and New York Magazine. She covers a diverse range of topics including movies, TV, music, and pop culture, with a particular focus on LGBTQ issues and social themes. Rachel's work has been featured in The Cut, Curbed, and other notable publications, and she was nominated for a James Beard Award in 2020.
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Rachel Handler's coverage primarily focuses on event coverage and evolving stories related to the entertainment industry, with a strong emphasis on film, cinema, actors, and film festivals. Given her focus on event coverage in the entertainment industry, she would be receptive to pitches related to exclusive interviews with filmmakers or actors involved in upcoming films or major events such as film festivals.
Handler's interest in evolving stories suggests that she may also respond well to pitches about trends within the film industry or emerging talents making waves at various international events.
As there is no specific geographic focus provided for Rachel Handler, it can be inferred that her work covers global entertainment news without being limited by location.
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“I never had such a strong experience with audience reaction like I did with this film.”
She yelled at Woody Allen in her 60s, earned an Oscar nod in her 80s, and at 94, has her first starring role.
The actress on performing with Bill Paxton, what it was like to be temporarily blinded on set, and what her future with the franchise looks like.
In Happiest Season, Clea DuVall shouts out to Hartnett, who perhaps unintentionally helped millions* of young women along on their queer journeys.
2024 is the year of onscreen moms climbing atop a youthful stud and running off into the sunset.
A city on the verge of a nervous breakdown.
By: Jackson Mchenry, Rachel Handler
Who built this ripped, anatomically graphic snowman? Is there a world of snowmen offscreen waiting to be turned into sex objects for widows?
His Three Daughters star Elizabeth Olsen on why she keeps doing movies about grief and dying and why she’s decided, “Marvel, done.”
Nobody is doing it like Ariana in Wicked, and accordingly, we must invent some new projects for her.
Juliette Binoche and Ralph Fiennes reflect on 30 years of sharing scenes, frustrations, wine bottles, and hotel-room walls.
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