Northern Ballet commits itself almost exclusively to dance as a storytelling medium, and its weakness historically has been to home in on surefire box-office titles such as A Streetcar named Desire, The Great Gatsby and Nineteen Eighty-Four, which lose more than they gain by being deprived of their words. But adapting the source of the
Rupert Christiansen is the chief dance critic at The Spectator. He covers a wide range of topics related to culture and society, focusing on cultural movements, social interest, and issues of accessibility, diversity, and inclusion within the arts. Rupert's insights and critiques have been featured in Yahoo News UK, The New Criterion, Irish Independent, The Spectator Australia, The Telegraph, MSN, The Spectator, and Literary Review.









