Sam Clark is a reporter specializing in data protection and security. He currently works for MLex, where he covers a range of topics related to data privacy and online safety. His work has also been featured in publications such as Runner's World Magazine and Coastal View News.
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Sam's coverage heavily focuses on government announcements and legal policy regulations, with a keen interest in data privacy, EU regulations, GDPR, technology companies, and the telecom industry. Given this focus, he would likely be interested in expert commentary from individuals well-versed in these areas.
Considering Sam's extensive coverage of government announcements and legal policy regulation related to data privacy and technology companies within the EU context, experts with insights into the implications of new regulations or significant legal developments would likely resonate well with his coverage interests.
Given that Sam does not have a specific geographic focus but instead covers EU-related topics extensively in his articles' titles suggests that he is more inclined towards covering regulatory matters at an international level rather than focusing on individual countries.
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By: Laurens Cerulus, Pieter Haeck, Mathieu Pollet, Sam Clark
Elon Musk and Europe’s tech gaps show the Finnish nominee has a major task at hand.
By: Mathieu Pollet, Sam Clark, Pieter Haeck
Elon Musk and Europe's tech gaps show the Finnish nominee has a major task at hand.
By: Sam Clark
The paper cites “often disturbing content promoted or found on the platform, including far-right conspiracy theories and racism.”
Notorious “Sandworm” hacking group is targeting European energy grids, Google warns.
As someone who tends to be skeptical of certain genres—or simply struggles to connect with them, as I do with musicals—I still believe in approaching any film with an open mind, ready to be surprised or convinced otherwise. It’s only fair, after all. That said, I find myself unexpectedly intrigued by the upcoming Robbie Williams biopic Better Man. From what I’ve seen, it seems to be taking a fresh and unconventional approach to the genre, which has definitely piqued my curiosity.
Its that time of the year again. Awards seasons is upon us once more! After plenty of enjoyable trash where no intellectual engagement is required to some of the more intelligent mainstream offerings that will in fact be competing – as is always the case every year- it is time to knuckle down and pay close attention to what films will be challenging for the biggest awards in the industry. And so, we now arrive at one of the potential front runners, Conclave.
By: Sam Clark
Whenever a film deals with the idea or theme of cancer or any illness, as We Live in Time does, you will always connect with someone. One of the greatest things about cinema and film is that it connects us all, even if we don’t know it, are aware of it, or acknowledge it. Whenever any of us enter a cinema, no matter what we watch, we sit with complete strangers and watch the film together, taking it all in as one. We laugh, we cry, and we (occasionally) clap and cheer. That is the beauty of it all. There was nothing but complete silence during We Live in Time (the showing was packed), except for a couple of laugh out loud moments, nor was there a single dry eye in the house once the credits rolled.
Meta's chief executive points to EU regulation for delaying or halting the Big Tech rollout of artificial intelligence services.
By: Sam Clark
“The enemy is trying to use this situation in its information operations to sow panic among citizens of Ukraine and abroad,” says Kyiv’s deputy PM.
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