Sam Sacks is a journalist who writes for The Wall Street Journal. His articles primarily focus on fiction, including book reviews and literary analysis. He covers a wide range of authors and genres, providing insightful commentary and recommendations for readers.
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Sam Sacks predominantly covers fiction, book reviews, authors, literature and short stories. His articles include opinion editorials and expert commentary on literary works. If you are an author or have expertise in literature and can offer unique insights into the themes covered in the books he features, reaching out to him could be beneficial. Additionally, if you have a fresh perspective on contemporary culture as it relates to literature or insightful opinions about popular entertainment trends within the context of literary arts, Sam might find your input valuable for his coverage.
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Is there a more extraordinary moment in history than the meeting, in 1519, between Hernán Cortés and Emperor Moctezuma?
By: Hillary Kelly, Sam Sacks, Jo Hamya, Susie Mesure
The Hypocrite by Jo Hamya has an overall rating of Rave based on 9 book reviews.
By: Catherine Chidgey, Chris Cusack, Elizabeth Hand, Sam Sacks
The Axeman's Carnival by Catherine Chidgey has an overall rating of Rave based on 6 book reviews.
By: Becca Rothfeld, Peter Filkins, Elias Canetti, Sam Sacks
The Book Against Death by Elias Canetti, trans. Peter Filkins has an overall rating of Rave based on 3 book reviews.
By: Leigh Haber, Sam Sacks, Rachel Kushner, Ron Charles
Creation Lake by Rachel Kushner has an overall rating of Positive based on 10 book reviews.
By: Cat Acree, Poornima Apte, Jamie Quatro, Sam Sacks
Two-Step Devil by Jamie Quatro has an overall rating of Positive based on 5 book reviews.
Plus “Season of the Swamp” by Yuri Herrera.
Plus Federico Falco’s “The Plains” and Esther Kinsky’s “Seeing Further.”
Plus Johannes Anyuru’s ‘Ixelles’ and Ariane Koch’s “Overstaying.”
When, in 2018, Pat Barker published “The Silence of the Girls,” the first novel in her Women of Troy series, the popularity of fiction revisiting ancient Greek mythology was still in its infancy. Now that Ms. Barker has published her third book set in this world, “The Voyage Home” (Doubleday, 288 pages, $29), such novels strain the bookstore shelves, many of them “feminist retellings” (to borrow the inevitable marketing term) of canonical myths, feisty lean-in fantasies that privilege the points of view of queens and goddesses. Ms. Barker, previously celebrated for her wonderful World War I-era Regeneration trilogy (1991-95), helped to establish some of this trend’s defining traits.
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