Sara Holdren is a journalist and theater critic who writes for Vulture. Her work also appears in The New York Times. Sara's articles cover a wide range of topics in the theater world, including reviews, previews, and analysis of plays and musicals.
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Counting and Cracking The Public Theater and NYU Skirball are presenting the Belvoir St Theatre production.
In Jeana Scotti’s play, everyone’s got a son facing sexual-misconduct accusations, and the waitperson is taking notes.
By: Sara Holdren
Something is rotten in a little house on an island off the Irish coast. Beiv (Kate Mulgrew), a painter of throbbing abstract canvases famous for
By: Sara Holdren
Before every performance of Medea Re-Versed , the play's writer, Luis Quintero, stands at the door, welcoming the audience with exuberant high-fives and handshakes.
By: Justin Davidson, Sara Holdren
The Metropolitan Opera opened its season Monday with the company premiere of Grounded , with a score by Jeanine Tesori and a libretto by George Brant.
By: Sara Holdren
The last time Jez Butterworth and Sam Mendes rode into Broadway on the back of a big-boned new play, smothered in five-star reviews and Olivier awards, there were geese , and babies, and bunnies.
Jez Butterworth’s latest play, directed by Sam Mendez, is an array of overfamiliar archetypes and under-thought choices.
By: Sara Holdren
Seventeen years is an eon in theater time, enough to make some plays feel as dated as fondue and Fawlty Towers , but David Henry Hwang's Yellow Face has aged well.
Guster’s singer-songwriter Ryan Miller tries his hand at musical theater.
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