Sara Holdren is a journalist and theater critic who writes for Vulture. Her work also appears in The New York Times. Sara's articles cover a wide range of topics in the theater world, including reviews, previews, and analysis of plays and musicals.
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By: Sara Holdren
As more and more plays turn their sights on the singularity, Theatre for a New Audience is distinguishing itself as a place where artificial intelligence receives particularly intelligent dramatic treatment.
Siri, show me a good play with music.
Waterfront history staged afloat, a variety of robots, and Mary Todd Lincoln going wild.
Two travel tales leading into the American nightmare.
A send-up of the leftist battles over vaccination and the weaponization of kindness.
Despite some iffy production choices, she delivers the world on a plate.
John Mulaney and friends deliver bright readings of slight tales.
By: Sara Holdren, Jackson McHenry
The first few months of the year in New York theater zig and then zag. First, there are the January theater festivals, your place to dig into
Idina Menzel in the forest, Paul Mescal in Brooklyn, and more.
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