Sarah Larson is a staff writer at The New Yorker. She covers a diverse range of topics including government and politics, culture and society, and arts and entertainment, with a particular focus on regional interest and world news. Her work has also been featured in The M-A Chronicle and Moline Dispatch Publishing Company.
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Sarah Larson's coverage primarily centers around lifestyle topics such as podcasts, history, period drama, and the Israel-Palestine conflict. She often includes expert commentary and profile features in her articles.
When pitching to Sarah Larson, consider offering profiles or interviews with experts on podcasting trends, historical events or figures, insights into period dramas' impact on popular culture or social issues like abortion law and geopolitical conflicts such as the Israel-Palestine debate. Additionally, pitches related to cultural shifts reflected through online platforms like TikTok might also resonate well with her coverage focus.
Since she has a national geographic focus within the United States but covers international topics like the Israel-Palestine conflict, ensure that your pitch aligns with either of these focuses for relevance to her audience.
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Whether you're horrifying your teen with nauseating sex-ed analogies or watching TikToks while your toddler eats a bagel from the subway floor, face
A teary voter tours the People's House and tries to find perspective in the relics of the “Honest and Wise Men” who came before.
Eighty-five-year-old Marvin Schneider and his seventy-four-year-old apprentice have staged a five-year-long protest against the landmarks commission over a famous clock tower.
Your window to the world is open. Long day's night, the endless dream. Hot night on the veranda, frog chirp, cicada scream.
When Donald Trump ran for President in 2016, the pro-life movement helped carry him to victory.
By: Rebecca Mead, Joshua Cohen, Rivka Galchen, Sarah Larson, Jack Handey, Eugenia Viti, Eren Orbey, Cressida Leyshon, Keith Gessen, Geraldo Cadava, Louisa Thomas, Ali Solomon, Jenny Slate
In a London warehouse pumping with dance music and movie soundtracks, Jadé Fadojutimi paints exuberant canvases all night long.
Readers respond to Parul Sehgal's review of Ta-Nehisi Coates's “The Message” and Tad Friend's Profile of the rare-book dealer Glenn Horowitz.
Joe Biden's strong record on jobs and Kamala Harris's vow to reduce the cost of living couldn't prevent the Democrats from succumbing to a global anti-incumbency wave.
A man dangles a cigarette over a fire escape on Crosby. It's so early, I am still in last night. All of life honks.
By: Adam Gopnik, George Saunders, Han Kang, James Wood, Rachel Maddow, Helen Rosner, Kelefa Sanneh, David Remnick, Emma Green, Lorrie Moore, Camille Rankine, Sarah Larson, Jennifer Wilson, Jackson Arn, Annette Gordon-Reed, Timothy Snyder, Jake Offenhartz, Jill Lepore, Jane Mayer, Richard Brody, Erik Agard, Jennifer Egan, Louis Menand, Rebecca Mead, Alex Dimitrov, Kira Garcia, Jia Tolentino, Jelani Cobb
An archive of reporting, profiles, criticism, fiction, and cartoons from The New Yorker’s print magazine.
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