Shalini Langer is the Deputy Editor at The Indian Express, focusing on national news in India. She writes articles and reviews on movies, covering a wide range of genres and themes. Her reviews provide insights into the storytelling, performances, and overall impact of the films she covers.
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Shalini Langer focuses solely on providing movie reviews, with a high emphasis on entertainment. She is likely to be interested in hearing from individuals who have insights into the film industry, including actors and directors. Those who can provide unique perspectives or insider information about upcoming movies, filmmaking processes, or trends within the industry may capture her attention.
Given Shalini's national focus on India, she might also appreciate pitches related to Indian cinema and its impact globally. If you have access to exclusive previews or behind-the-scenes details of films relevant to her coverage area, these could make for compelling pitches when reaching out to Shalini.
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By: Shalini Langer
Never Let Go movie review: This latest film by Alexandre Aja starring Halle Berry is about never letting go – of any flimsy direction that the story can take us.
By: Shalini Langer
The reason you may not ask more of Wolfs, as it springs flimsy twists after twists into a stretched plot, is because you have George Clooney and Brad Pitt to look at. They don't even have any names to distract us as they invoke a very Newman-Redford vibe.
By: Shalini Langer
Joker Folie a Deux movie review: Joaquin Phoenix is doing more of what he did last time, and the proficient actor knows how to do this kind of crazy well. However, if Joker 2 has any of the tenuous, arresting vitality of the Batman films, it is courtesy Gaga.
By: Shalini Langer
White Bird movie review: In this film based on RJ Palacio's book White Bird: A Wonder Story, which is sort of connected to the Wonder storyline, kindness takes a much deeper, historical meaning.
By: Shalini Langer
Christopher Reeve says that the biggest transition the accident brought about in his life, earlier full of constant activity, was the change from being “participant to observer”. Super/Man: The Christopher Reeve Story manages largely to be both.
By: Shalini Langer
The Wild Robot movie review: Based on author Peter Brown's book – which is why the movie seems as complete as it does, rather than thought hastily on a storyboard – The Wild Robot uses a hand-painted animation technique, part classic Disney, part Hayao Miyazaki.
Smile 2 movie review: The trick to a horror story is to know when to hide your hand and when to show it – not showing the same hand, again and again.
By: Shalini Langer
Goodrich movie review: One reason is that Goodrich has just too many things happening parallelly.
Venom The Last Dance movie review: Director Kelly Marcel manages to evoke a sense of fleeting loss, which is not as easy as it seems in a film of this nature.
Give me the wrinkled Gisele Pelicot, felling her mass rapists in a French court, demolishing the silence around sexual abuse, by saying simply: “Shame must change sides.” So must heroism.
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