Sumner Forbes is a writer for Film Threat, specializing in film reviews and features. With a passion for independent cinema, Sumner provides insightful analysis and commentary on a wide range of films, covering various genres and styles.
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Sumner's coverage focuses on entertainment news, particularly film reviews. Given this, she may be interested in pitches that offer unique perspectives or expert commentary related to the film industry and specific movies.
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Although her geographic focus is not specified, Sumner’s coverage of international films suggests a global perspective. Therefore, relevant pitches could encompass a wide range of global cinema-related topics rather than being limited to any specific region.
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LOCARNO 2024 FILM FESTIVAL REVIEW!! Decades after his passing, filmmakers have tried to make crime as cool as Jean-Pierre Melville did in the 1950s and 1960s.
LOCARNO FILM FESTIVAL 2024 REVIEW! It’s hard to fathom that in many parts of the world, women can’t willingly leave an abusive marriage. Even for some countries in the West, it wasn’t that long ago when women weren’t able to exercise this seemingly basic sense of agency. It’s with this context that we go into
LOCARNO FILM FESTIVAL 2024 REVIEW!! Being a teenager is a weird time. Your taste in music becomes your entire personality.
LOCARNO FILM FESTIVAL 2024 REVIEW!! Our increasingly digital society is embarking on an uncertain future. The ramifications of a generation living much of their existence through a screen remain to be seen, but few would deem it a positive development. Adele Tulli’s beautiful, non-narrative exploration (appropriately titled REAL) of our new reality is rare in
LOCARNO FILM FESTIVAL 2024 REVIEW!! Desperate times call for desperate measures. This well-worn cliché is at the heart of promising Lithuanian filmmaker Saule Bliuvaite’s feature-length debut, Akiplėša (Toxic). For young girls living in abject poverty, modeling is an alluring means to escape a life without any realistic avenues to success, as they certainly can’t look
In 1981, the Moroccan government cracked down on working class citizens in Casablanca protesting austerity measures and the general increase in prices of material goods like food.
Revenge only gets one so far, but The Wasp leans right into the most debased form of it imaginable.
Boxing films are an American staple. There's a primal beauty inherent in the battle between two fighters, and no sport is more cinematic at its core.
To think there was a time when audiences thought found footage was a compelling style of cinema.
Han Shuai's Green Night provides a familiar framework for an LGBTQ+ romance on the silver screen.
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