Susan Aurinko is a local journalist based in Chicago, Illinois. She specializes in covering the vibrant art scene in the city, with a focus on photography exhibitions and reviews. Through her articles, Susan aims to highlight the work of talented artists and provide insightful critiques to readers.
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Susan Aurinko's work primarily focuses on reviewing art exhibitions and providing expert commentary within the cultural and design spheres. Her coverage predominantly encompasses local art scenes, particularly in Chicago and Illinois.
Given her focus on reviewing art exhibitions, she would likely be interested in pitches from artists or curators who can provide insights into their creative process or the conceptual underpinnings of their work. Additionally, experts with a deep understanding of contemporary art movements or trends may also capture her interest.
As Susan’s geographic focus is local to Chicago and Illinois, relevant pitches should emphasize connections to this area or how they could impact the local artistic community.
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Cameron, who lived in a world where photographers were nearly all male, experimented with close-up portraits and chose to shoot slightly out of focus, as she felt this made the images more beautiful.
McGinnis says everything and nothing in her work, making us conclude ourselves. Her works are beautiful and tragic, realistic and dreamlike, the work of a painter who can enchant an audience with conjecture and spin stories with a brush.
By: Susan Aurinko
The two men approached water in different ways, and yet all the images in the show are in accordance and carry on a dialogue throughout the exhibition.
By: Susan Aurinko
The title of the show opens wide the possibilities, but there is a nice dialogue between most of the images—the work is human and life-affirming.
Looking at her work, at the picturesque scenes and exquisitely striking people, one realizes that they will all vanish unless we take global warming seriously and find solutions to problems that we ourselves have created.
It’s hard to imagine becoming desensitized to the beauty of nature, yet the sheer volume of vistas and expansive scenes is a bit overwhelming—somehow it made those with people and civilization all the more appealing.
The show is literally “stacked up”—there’s very little airspace between one piece and the next, and because of the subject, it works. Created in every conceivable medium, Himmelfarb’s trucks fill the gallery space to the brim with his delight and enthusiasm.
Standing in front of any of Canadian photographer Paul Nicklen’s large-scale images in the current exhibition at Hilton Contemporary, one cannot help but be totally in awe.
The photographs of feminist and social activist photojournalist Bev Grant, active during the volatile years 1968-1972 provide a strong definition of the times and an extraordinary history lesson for the university’s students.
For ten years, D’Amato has turned his lens to the area around Midway Airport, diverse communities that live in the flight paths, the planes composing the soundtrack of their everyday lives.
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