Susan Aurinko is a local journalist based in Chicago, Illinois. She specializes in covering the vibrant art scene in the city, with a focus on photography exhibitions and reviews. Through her articles, Susan aims to highlight the work of talented artists and provide insightful critiques to readers.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
Chicago, Illinois, United States (Local)
Susan Aurinko's work primarily focuses on reviewing art exhibitions and providing expert commentary within the cultural and design spheres. Her coverage predominantly encompasses local art scenes, particularly in Chicago and Illinois.
Given her focus on reviewing art exhibitions, she would likely be interested in pitches from artists or curators who can provide insights into their creative process or the conceptual underpinnings of their work. Additionally, experts with a deep understanding of contemporary art movements or trends may also capture her interest.
As Susan’s geographic focus is local to Chicago and Illinois, relevant pitches should emphasize connections to this area or how they could impact the local artistic community.
This information evolves through artificial intelligence and human feedback. Improve this profile .
A very thought-provoking show from a photographer and meticulous printer who not only produces beautiful images but raises questions the viewer is likely to ponder long after leaving the gallery.
By: Susan Aurinko
For a photographer who spent years photographing celebrities in Los Angeles, Jean-Marc Giboux has made a seismic career shift. In 1988, the World Health Organization launched a global initiative to eradicate polio. There was something about that resolve that moved Giboux to action, and he turned his lens on the program.
By: Susan Aurinko
Villa Albertine has created a multi-location exhibition at several venues in Chicago, in which ten emerging photographers respond to Paris and Chicago—the urban similarities and differences between the two cities. The concept is interesting, to say the least, and Villa Albertine brilliantly follows through on its mission.
The wide variety of ways of creating photographs in this exhibition is as much a wonder as nature itself.
By: Susan Aurinko
These are images that capture not the dream, but the imagination and the reality of life along a highway as long as Route 66, which are as real as the unflinching photographs Keating made along its many miles.
Cameron, who lived in a world where photographers were nearly all male, experimented with close-up portraits and chose to shoot slightly out of focus, as she felt this made the images more beautiful.
McGinnis says everything and nothing in her work, making us conclude ourselves. Her works are beautiful and tragic, realistic and dreamlike, the work of a painter who can enchant an audience with conjecture and spin stories with a brush.
By: Susan Aurinko
The two men approached water in different ways, and yet all the images in the show are in accordance and carry on a dialogue throughout the exhibition.
By: Susan Aurinko
The title of the show opens wide the possibilities, but there is a nice dialogue between most of the images—the work is human and life-affirming.
Looking at her work, at the picturesque scenes and exquisitely striking people, one realizes that they will all vanish unless we take global warming seriously and find solutions to problems that we ourselves have created.
(833) 317-6278 
