Tasha Robinson is the entertainment editor at Polygon. She specializes in a diverse array of topics within the cultural sphere, including movies, TV, books, graphic novels, and tabletop role-playing games, often exploring the intersection of arts and entertainment. Tasha's work has been featured in notable outlets such as NPR, The Chicago Tribune, and The L.A. Times, among others.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
Not enough data
Tasha Robinson's coverage focuses on entertainment news, film reviews, and gaming with a specific emphasis on movies, directors, horror films, and tabletop RPGs. She also covers tech-related themes. When reaching out to Tasha for potential pitches or contributions consider providing insights into emerging trends in the movie industry or unique perspectives on film direction.
Given her focus on reviewing films and discussing directorial decisions, she may be interested in expert commentary from filmmakers or individuals closely involved in the movie-making process. Additionally, given the attention to tabletop RPGs and tech-related themes, pitches related to these areas could be well-received as long as they align with her coverage style.
This information evolves through artificial intelligence and human feedback. Improve this profile .
For more information, more context, or just one really funny reveal.
By: Tasha Robinson
Fans of Isao Takahata’s Grave of the Fireflies take note: Hong Kong's all-time biggest animated box-office hit is grim but glorious.
This week’s game and players make for a fun, silly episode, but the design results in an edit that feels choppy and misses needed context.
By: Tasha Robinson
Part one of Helluva Boss season 3 is coming in October.
Craig Gillespie and Ana Nogueira's solid, likeable superhero drama comes with familiar shots and story beats from the Gunn playbook.
Brennan Lee Mulligan, Vic Michaelis, and Aabria Iyengar return for a rematch in a courtroom spin on various social deception games, with an improv storytelling twist.
The entire story is about identity. This version of the film has none.
Tasha Robinson Disney's original 2016 animated movie Moana is a powerful fable about identity.
A few months ago, when I talked to Dropout CEO and Game Changer host and producer Sam Reich about what to expect from season eight of the show, he
A twist on the classic ‘Noise Boys' episodes brings in additional players and makes for a nightmare scenario for one poor production assistant.
