Executive Editor, Culture, Books, Ideas and Print
Tom Gatti is the Executive Editor for culture, books, ideas, and print at the New Statesman. With a focus on the national scene in the United Kingdom, Tom writes articles covering a range of topics including music, literature, and the arts. He is also the editor of the book "Long Players: Writers on the Albums That Shaped Them."
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United Kingdom (National)
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Tom Gatti predominantly covers lifestyle and entertainment news, with a focus on literature, book reviews, authors, fiction, and literary prizes. He might be interested in pitches related to new book releases from notable authors or emerging writers that align with his coverage of literary works.
As he often provides "How To Guide" articles within the context of literature and entertainment news, offering pitches on guides related to writing techniques or trends in the publishing industry could be well received.
Since Tom focuses nationally on the United Kingdom, consider tailoring your pitches to British authors or events within the UK's literary scene.
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In Sam Mendes's revival, an epic narrative of American capitalism is translated into thrillingly stripped-back theatre.
By: Tom Gatti
The Goldsmiths Prize-shortlisted author on toasters, violence and the absolute freedom of the novel.
Also featuring She's Always Hungry by Eliza Clark and Recognising the Stranger by Isabella Hammad.
Tom Gatti is joined by Alison Phillips, former editor of the Daily Mirror.
By: Tom Gatti
The award for inventive fiction goes to a book replete with ideas about art, literature and freedom.
The Goldsmiths Prize-shortlisted author on making art from objects, and what civil wars taught her about human nature.
with Gary Younge and David Edgerton.
Every Christmas, I make my own end-of-year playlist – a small act of resistance to outsourcing one’s taste to the algorithm.
Opinion Tom Gatti Twenty years ago – before the iPhone, before Spotify, when Tony Blair was in Downing Street, Taylor Swift was in
Welcome to the age of rage.
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