Uday Bhatia is a journalist based in Mumbai, India, who writes for LiveMint. His articles primarily focus on film reviews and analysis, with a particular interest in Indian cinema. Uday provides insightful critiques of movies, exploring their themes, performances, and impact on the audience.
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India (National)
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Uday Bhatia's focus on film reviews and entertainment news, particularly within the context of Indian cinema, suggests that he would likely be interested in pitches related to unique perspectives on Indian films or insights into cultural trends and societal impact portrayed in movies. Given his strong emphasis on film reviews, providing advance access to upcoming significant releases for review purposes could garner attention.
As Uday focuses primarily on local coverage within Mumbai and India at large, pitches should consider this geographical scope. Furthermore, offering exclusive interviews with filmmakers or actors from the region may also capture his interest given his focus area.
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‘Freedom at Midnight' is flawed in too many ways to deliver on its promise of showing an untold history of India on the brink of independence
This series of video essays is a brilliant dissection of William Kentridge's artistic practice and a lively covid diary
In Shoojit Sircar's film, Abhishek Bachchan plays a cancer patient with an uncommon determination to survive
New Delhi, Nov. 22 -- Shoojit Sircar's recent film work has been preoccupied with mortality.
The soundtrack for Payal Kapadia’s Grand Prix-winning film gathers Ethiopian piano, Haitian guitar, pristine synths and a host of other styles into a cohesive whole
By: Uday Bhatia
New Delhi, Nov. 27 -- Yewubdar Guebrou was born in Addis Ababa in 1923. She was sent to study in Switzerland, where she learnt the piano and violin.
By: Uday Bhatia
Lazy and incoherent, ‘Pushpa 2: The Rule' lacks the rowdy conviction of the first film
By: Uday Bhatia
New Delhi, Dec. 5 -- The Rule and the guy to my right is panicking. "Are they talking in Tamil?" he asks.
Manoj Bajpayee plays a beleaguered journalist in Kanu Behl's anti-thriller
From Palme d'Or winner ‘Anora' to Hong Sang-soo's new lo-fi charmer, here are some favourites from the festival
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