Zachary Woolfe

In the mid-1700s, Christoph Willibald Gluck overthrew the musical excesses around him. A marathon double bill in France shows the vibrancy of his vision.

Ermonela Jaho’s combination of consummate technique and utter commitment has earned her ovations, critical praise and the adoration of her colleagues.

Gregory Spears and Tracy K. Smith’s new work about an ambitious minister’s rise in the 1980s is that rarity in contemporary music: an original story.

Jeanine Tesori and George Brant’s bloodless “Grounded,” about a fighter pilot turned dissociating drone operator, stars the mezzo-soprano Emily D’Angelo.

Two new works, “The Listeners” and “Grounded,” echo the age-old spectacle of female disintegration and show the tension of fitting modern stories into old forms.

It may not be as big or run as long as its visual arts sibling, but the Music Biennale includes a wealth of commissions and premieres.

The New York Philharmonic has played Tchaikovsky’s “Pathétique” Symphony twice in two years. Rafael Payare led its latest outing.

The energy in Verdi’s classic must come from the singing, but the cast of this revival fails to convey the work’s passion.

Watch and listen to symphonies by Mahler, a new opera by Missy Mazzoli, Ray Chen’s take on video game music and more.

Tim Long, a pianist, conductor and teacher, conceived his project to fill a cultural need: “There is no repertoire like this in existence.”