Jon Sobel is a Publisher and Executive Editor at Blogcritics. He specializes in the arts and entertainment sector, focusing on music genres, plays, and musicals, while also contributing to discussions about theater and visual arts. Sobel's work has been featured in the Environmental Post Ledger and Blogcritics.
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New York City, United States (Local)
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Jon Sobel's work predominantly focuses on entertainment news, particularly in the form of concert and music reviews. His coverage includes classical music, orchestras, and chamber music. Given his focus on event coverage and review articles within the realm of classical music performances, he is likely to be interested in pitches that offer unique perspectives or insights related to upcoming concerts, emerging talents in classical music, innovative approaches to traditional repertoire or behind-the-scenes access to renowned performers.
As Jon primarily covers events and reviews related to classical music performances with a concentration on New York City-based activities without any specific geographic restrictions mentioned for other topics such as gaming or entertainment news.
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Each time Min Kwon plays an
By: Jon Sobel
In 1992, transgender activist Marsha P. Johnson was found dead in the Hudson River – murdered, many
When music and metal mix, people take notice. Just look at how metal, or the idea of metal, spawned
Cuban-born pianist Kemeul Roig made his name in the bands of Arturo Sandoval and Al DiMeola, and thr
Lyle Lovett rocketed his multi-city City Winery tour to New York City for the semiquincentennial Fou
By: Jon Sobel
Train after train bypassed the 25th Street station and I grew more and more frustrated. It was late
The Jewish holiday of Sukkot commemorates the 40 years the Israelites spent wandering in the desert
By: Jon Sobel
I'm tempted to start putting a
By: Jon Sobel
A blizzard. A gun.* And a meeting of a volatile Brooklyn chapter of the Democratic Socialists of America during the administration of a corrupt ex-cop NYC mayor. What could go wrong? Chapter Meeting asks us to believe some things that don’t make sense. But a lot goes right in this world-premiere Perfect 10s production of the incisively written comedy. A spitfire cast is briskly directed by playwright Taylor Jon Gonzalez.
I like when classical music ensembles call themselves bands. The word implies a proletarian good time instead of the formal, highbrow listening experience suggested by a continental term like “ensemble” or neutrally descriptive nomenclature like “The
