Jon Sobel is the Editor In Chief at Environmental Post Ledger. He focuses on themes in arts and entertainment, particularly theater and music, with a keen interest in plays and musicals. Jon's insights and critiques have been featured in notable publications such as Blogcritics.
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New York City, United States (Local)
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Jon Sobel's work predominantly focuses on entertainment news, particularly in the form of concert and music reviews. His coverage includes classical music, orchestras, and chamber music. Given his focus on event coverage and review articles within the realm of classical music performances, he is likely to be interested in pitches that offer unique perspectives or insights related to upcoming concerts, emerging talents in classical music, innovative approaches to traditional repertoire or behind-the-scenes access to renowned performers.
As Jon primarily covers events and reviews related to classical music performances with a concentration on New York City-based activities without any specific geographic restrictions mentioned for other topics such as gaming or entertainment news.
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Music Review: The Crossing – 'At Which Point' finds the chamber choir working with three composers who take advantage of its strengths.
Review: 'Zemlinskys Zimmer (Zemlinsky's Room)' from the little opera theatre of ny provides an excellent introduction to Alexander Zemlinsky.
Theater Review: Smith Street Stage presents Shakespeare's 'Henry V' in a superb new outdoor staging in Brooklyn's Carroll Park.
Concert Review: Pianist Kariné Poghosyan performed a muscular, sensuous all-Khachaturian program at Carnegie Hall's Weill Recital Hall
Theater Review (NYC): 'A Letter To Lyndon B. Johnson or God: Whoever Reads This First' is a fine piece of absurdist clown physical theater.
By: Noah Stern Weber
Review: ‘Music for New Bodies,’ a Symphonic Concert Opera by Matthew Aucoin, Staged by Peter Sellars Jon Sobel18 seconds ago0 Comments3 Views
Contemporary playwrights sometimes try their hand at writing in verse, and why not? Shakespeare and his contemporaries and artistic heirs did it. Molière did it. Even T.S. Eliot did it. But few modern scribes have matched the wit, depth, and élan
By: Jon Sobel
Music Reviews: Miguel Rincón and Il Pomo D'Oro: 'Concertos for Baroque Lute'; Makaris: Allan Ramsay's 'The Gentle Shepherd'
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