Jon Sobel is the Editor In Chief of Blogcritics, a platform that covers a wide range of topics including music, film, books, and more. Jon's articles primarily focus on music, particularly concert reviews and music-related events, showcasing his passion for the arts and his expertise in the field.
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New York City, New York, United States (Local)
Jon Sobel's work predominantly focuses on entertainment news, particularly in the form of concert and music reviews. His coverage includes classical music, orchestras, and chamber music. Given his focus on event coverage and review articles within the realm of classical music performances, he is likely to be interested in pitches that offer unique perspectives or insights related to upcoming concerts, emerging talents in classical music, innovative approaches to traditional repertoire or behind-the-scenes access to renowned performers.
As Jon primarily covers events and reviews related to classical music performances with a concentration on New York City-based activities without any specific geographic restrictions mentioned for other topics such as gaming or entertainment news.
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Home / Music / Music Genres / Classical / Reviews: Jordi Savall and Hespèrion XXI – Carnegie Hall Concert, New Album Mixing Ancient and Contemporary Music
By: Jon Sobel
Pianists Michael Stephen Brown and Adam Golka play music by Mozart for piano four hands and two pianos at the Aspect Chamber Music Series.
'Brokeneck Girls: The Murder Ballad Musical' is a tongue-in-cheek meta-fable with music and a message, and a fresh take on murder ballads.
Neither losing its longtime space in Long Island City nor enduring the pandemic shutdown has quashed the Secret Theatre. After first re-emerging in physical form with theater programs for children, Richard Mazda’s Queens brainchild is now back with its first adult musical. The company’s current off-off-Broadway revival of the early-2000s Broadway musical-comedy classic Urinetown re-establishes the Secret Theatre as one of the city’s great unsung havens for superb productions of fully staged plays and musicals on shoestring budgets.
By: Jon Sobel
Franz Liszt and Johannes Brahms has vastly different creative temperaments and wrote vastly different music. But the music the Romani people of Hungary fascinated both composers. The influence of what our SEO plugin no longer approves of us calling “Gypsy music” on these giants of classical music’s Romantic era formed the theme of “Alla Zingarese,” the April 11
By: Jon Sobel
Rachel Redleaf’s one-woman show Too Much of a Good Thing has the vibe of one of those highly choreographed standup specials that comedians like Colin Quinn bring to television and even Broadway. While Redleaf ( Once Upon a Time in Hollywood, Atypical ) is very funny, Too Much inhabits a different plane than shined-up standup.
When Deutsche Grammophon announced its signing of 26-year-old pianist Julius Asal in October 2023, the label observed (among other plaudits) that Asal was “blessed with a rare talent for programme curation.” That’s evident on Scriabin – Scarlatti, his first release with the label.
Trio Wanderer played a muscular concert of Piano Trios by Schumann and Ravel, along with Liszt's weird and wily 'Tristia.'
Composer Scott Ordway onstage after the New York Premiere of 'The End of Rain'(photo by Alexander Grusencev)
By: Jon Sobel
Composer Charles Martin Loeffler lived and worked at the intersection of European and American classical music. Extremely popular in the U.S. in his time, he was even called the “dean of American music.” Yet today Loeffler is mostly forgotten.
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