Ecco un'altra brillante scoperta dal produttore Zev Feldman. Una registrazione inedita dell'agosto 1976, che documenta un concerto di Al Jarreau in un localino di Washington, il Childe Harold. Diciamo subito che la performance è intensa e trascinante, una delle migliori tra le sue registrazioni.
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The son of renowned bandleader Eddy Snijders, Dutch-Surinamese multi-instrumentalist Ronald Snijders is best known as a flautist and for the four albums he released between 1977 and 1983 on his own label, Black Straight Music. An original copy of his debut, Natural Sources (1977), is considered a holy grail among collectors of 70s jazz fusion.
Cameo showcases the remarkable partnership between pianist Johanna Summer and saxophonist Jakob Manz. While their instrumental prowess shines throughout, the duo's true strength lies in their diverse musical influences. These varied inspirations infuse their compositions with unexpected twists that transcend the conventional boundaries of their chosen instruments.
Roberto Ottaviano, Danilo Gallo, Ferdinando Faraò Pinocchio Live Jazz Firenze
È rimasto incomprensibilmente fuori da quasi tutti i best of del 2024 (anche dal mio, a dire il vero...), ma questo complesso lavoro del pianista, compositore e improvvisatore torinese ormai residente a Parigi Roberto Negro è senz'altro una delle cose più belle e interessanti uscite nel corso dello scorso anno.
Noah Preminger is a philosophical, thought-through artist who can gauge the impact of his playing and his thinking on his intended audience. It is interesting to compare Preminger's Ballads to John Coltrane's Ballads (Impulse!, 1963), an illuminating set of familiar tunes that was reputedly instigated after his quartet's first tour of Europe, with Eric Dolphy in tow. Accusations of "anti-jazz" flew. It was hoped that this step back into the Standards on his
By Ludovico Granvassu | Mondo Jazz February 4, 2025 View read count
A crackling energy permeates Continental Divide, as if the album itself straddles tectonic plates, with the music shifting and erupting underfoot like a geological tempest in full bloom. Saxophonist
Classical composer Bela Bartok was fascinated by folk melodies he heard throughout his native Transylvania at the close of the 19th century / beginning of the 20th century. Similar to when American musicologist Alan Lomax
By David Brown | The Jazz Continuum February 4, 2025 View read count
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