Anne Spiselman is a freelance writer. She specializes in arts and entertainment, with a focus on theater, books, and social issues such as abortion, particularly in the context of Illinois and Chicago. Anne's work has been featured in the Hyde Park Paper.
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Chicago, United States (Local)
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Anne Spiselman's articles predominantly cover local theater and entertainment news in Chicago, focusing on reviews and event coverage. To effectively reach out to her, consider providing unique angles or exclusive insights related to upcoming Broadway shows, local theater productions, or interviews with playwrights and actors within the Chicago area. Additionally, offering expert commentary on trends or significant changes within the local theater scene could capture her attention.
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If it wasn't for Steppenwolf ensemble member Jon Michael Hill's stellar performance, the world premiere of Ngozi Anyanwu's “Leroy and Lucy” in Steppenwolf's Ensemble Theater wouldn't be half as enjoyable
Times are tough for Chicago theaters, and one way they're coping is by collaborating with each other. Each project is unique, but in general, they offer opportunities to share resources,
(Left to right) Jason Evans, Charlie Long and Stephen Schellhardt in “Falsettos,"a joint production of Hyde Park's Court Theatre and TimeLine Theatre Company.
You don't have to be a Potterhead to love “Harry Potter and the Cursed Child,” which launched its first national tour at the James M. Nederlander Theatre, but it probably
(Left to right) Alexis Primus, Charlie Irving, Wain Parham, Seoyoung Park and Huy Nguyen in TUTA Theatre's "The Long Christmas Dinner."
The biggest news for Goodman Theatre's 47th annual outing of Charles Dickens'“A Christmas Carol” is a new Ebenezer Scrooge. Renowned actor Christopher Donahue has replaced Larry Yando who, after 16 years as everyone's favorite miser, has gone off to play Severus Snape, Albus Dumbledore and Amos Diggory in the national tour of “Harry Potter and the Cursed Child” currently at the Nederlander Theatre down the block.
By: Anne Spiselman
The world premiere of Lauren Gunderson's “Louisa May Alcott's Little Women” at Northlight Theatre is an exercise in innovation both artistically and practically. Unfortunately, that doesn't make it the ideal adaptation of Alcott's beloved Civil War-era novel “Little Women”—but more about that later.
January and February bring a fresh round of openings at theaters all over town. They range from solo shows to full-scale musicals with lots of plays in between. Listed here are some we are especially excited about.
(Left to right) Maya Lagerstam and Tyler Joseph Ellis in the North American tour of "Shucked."
By: Anne Spiselman
Jocelyn Bioh's “Jaja's African Hair Braiding” delivers more than it promises. At first, the 90-minute portrait of a day in the life of a Harlem, New York, hair salon shows
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