Benjamin Wallace-Wells is a staff writer for The New Yorker, where he covers a wide range of topics including politics, culture, and society. His articles often provide insightful analysis and commentary on current events and trends in American society, offering readers a deeper understanding of the issues at hand.
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United States (National)
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Benjamin's coverage spans a wide range of topics, with a predominant focus on government and politics. He frequently explores evolving stories within this realm, indicating an interest in ongoing political developments or policy changes.
As his geographic focus is national (United States), he may be particularly interested in pitches related to U.S. politics and policy decisions at the federal level that have broader implications.
Given Benjamin’s diverse coverage of art, poetry, and specific individuals such as Marjorie Taylor Greene and Mark Ulriksen, he may also be open to well-crafted pitches pertaining to these subjects. However, it's important for contributors to ensure relevance when pitching outside the overarching theme of government & politics.
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The fifteen-dollar minimum wage, a core progressive issue, won ballot measures in red states. Why have Democrats stopped pushing for it?
By: Eren Orbey, Emma Green, Timothy Snyder, Susan B. Glasser, Joshua Rothman, Nathan Heller, John Cassidy, Benjamin Wallace-Wells, David Remnick, George Saunders, Rachel Maddow, Charles Bethea
For years, Democrats have sought to win elections by micro-targeting communities with detailed facts. What if the secret is big, sloppy notions seeded nationwide?
By: Eren Orbey, Rachel Maddow, Charles Bethea, John Cassidy, George Saunders, Devon Blackwell, Joshua Rothman, Benjamin Wallace-Wells, Timothy Snyder, David Remnick, Susan B. Glasser, Emma Green
Devon Blackwell’s short documentary explores how her great-grandparents lost the house they had owned since 1892, and the impact of that loss on generations of her family.
By: Joshua Rothman, Timothy Snyder, George Saunders, David Remnick, Charles Bethea, Emma Green, John Cassidy, Eren Orbey, Kyle Chayka, Susan B. Glasser, Benjamin Wallace-Wells, Rachel Maddow
The tech billionaire’s alliance with the President-elect has far-reaching implications for the incoming Administration.
By: Timothy Snyder, John Cassidy, Emma Green, Eren Orbey, Charles Bethea, Rachel Maddow, George Saunders, Susan B. Glasser, Joshua Rothman, Benjamin Wallace-Wells, Marc Fisher, David Remnick
No decision more clearly reveals Donald Trump’s disdain for his country’s armed forces than his selection of the TV host as his Secretary of Defense.
In the cultural wasteland of the Reagan era, they showed that a band could break through to mass appeal without being cheesy, or nostalgic, or playing hair metal.
The morning after the election, the historian discussed some books that shed light on the precedents for our fractured political moment.
By: Joshua Rothman, Timothy Snyder, Susan B. Glasser, George Saunders, David Remnick, Hannah Jocelyn, Charles Bethea, Emma Green, John Cassidy, Eren Orbey, Benjamin Wallace-Wells, Rachel Maddow
From the daily newsletter: Nathan Heller on why details didn’t matter in this election. Plus: an ultra-contemporary artist; how Elon Musk rebranded Trump; and is the twentieth-century novel a genre?
By: Aimee Lucido, Ian Crouch, Benjamin Wallace-Wells, Tyler Foggatt, Casey Cep, Nathan Heller, Joshua Rothman, Richard Brody, David Kamp
“There’s a tension between planning and future-tripping, and I’m trying not to future-trip too much” the MSNBC host says. “The first big thing that we all got to get our heads around is: What is this mass-deportation thing going to look like?”
By: Rachel Maddow, Emma Green, Nathan Heller, Joshua Rothman, Alexandra Schwartz, Charles Bethea, Susan B. Glasser, David Remnick, Naomi Fry, Timothy Snyder, Vinson Cunningham, Rebecca Mead, Benjamin Wallace-Wells
In the days since Donald Trump’s reëlection, art has offered a distraction for those reeling from the news. But what does it mean to turn away when circumstances demand our attention?
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