Benjamin Wallace-Wells is a staff writer for The New Yorker, where he covers a wide range of topics including politics, culture, and society. His articles often provide insightful analysis and commentary on current events and trends in American society, offering readers a deeper understanding of the issues at hand.
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United States (National)
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Benjamin's coverage spans a wide range of topics, with a predominant focus on government and politics. He frequently explores evolving stories within this realm, indicating an interest in ongoing political developments or policy changes.
As his geographic focus is national (United States), he may be particularly interested in pitches related to U.S. politics and policy decisions at the federal level that have broader implications.
Given Benjamin’s diverse coverage of art, poetry, and specific individuals such as Marjorie Taylor Greene and Mark Ulriksen, he may also be open to well-crafted pitches pertaining to these subjects. However, it's important for contributors to ensure relevance when pitching outside the overarching theme of government & politics.
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By: Rosanna Warren, Rebecca Mead, Calvin Tomkins, Ivan Ehlers, Henry Alford, Benjamin Wallace-Wells, Lee Upton, Wyna Liu, Rivka Galchen, Lauren Collins, Lauren Groff, Alex Barasch, Weike Wang, Dan Greene, Alex Ross, Benjamin Kunkel, Natalie Meade, Richard Brody
An archive of reporting, profiles, criticism, fiction, and cartoons from The New Yorker’s print magazine.
As I lay dying, I look back with regret on time not spent pointing out things that suck. I have so much bile left to give, but my time is at hand.
By: Benjamin Wallace-Wells, Isaac Chotiner, Rebecca Mead, Robyn Weintraub, Jane Mayer, Richard Brody, Kate Chin Park, Henry Alford, Alex Barasch, Eliza Griswold, Lauren Collins, Jonathan Blitzer
In one border town, some Syrians were fleeing to Lebanon, as others celebrated Bashar al-Assad’s ouster, or returned from exile in search of the missing.
By: Ian Crouch, Helen Shaw, Richard Brody, Paige Williams, Lauren Collins, Alexandra Schwartz, Naomi Fry, Max Norman, Benjamin Wallace-Wells, Jeannie Suk Gersen, John Cassidy, Vinson Cunningham
Across culture and politics, 2024 was a year of great expectations followed by disastrous misses. What space might these upsets open up in their wake?
Home Ownership A Thirty-Year-Old Man Today: Is working toward paying off a two-bedroom condo by age seventy-five, if all goes well.
By: John Cassidy, Benjamin Wallace-Wells, Ian Crouch, Max Norman, Lauren Collins, Helen Shaw, Jennifer Homans, Paige Williams, Jeannie Suk Gersen, Richard Brody
With her writing for The New Yorker, Croce put dance criticism and dance itself on the cultural map.
By: John Cassidy, Benjamin Wallace-Wells, Ian Crouch, Max Norman, Lauren Collins, Helen Shaw, Paige Williams, Jeannie Suk Gersen, Richard Brody, Robin Wright
The Islamic Republic is weaker—on multiple fronts—than it’s been in nearly half a century.
By: Adam Iscoe, Jennifer Wilson, Jessica Winter, Negar Azimi, Benjamin Wallace-Wells, Emma Allen, Susan B. Glasser, Rivka Galchen, Paige Williams, Jia Tolentino, Richard Brody
Timothée Chalamet’s performance is a remarkable act of mimicry that reveals little of the real Bob Dylan.
By: Benjamin Wallace-Wells, Helen Shaw, Paige Williams, David Remnick, Lauren Collins, Max Norman, Jeannie Suk Gersen, John Cassidy, Ian Crouch, Richard Brody
From the daily newsletter: David Remnick on a surreal year. Plus: a cancer-causing virus hiding in millions of Americans; learning from the failures of the Arab Spring; and the afterimage of Arlene Croce.
By: Benjamin Wallace-Wells, Richard Brody, Alex Ross, Rivka Galchen, Calvin Tomkins, Jane Mayer, Daisy Hildyard, Alex Barasch, Ian Crouch, Alexandra Schwartz, Helen Shaw, Jeannie Suk Gersen
The tech billionaire derailed a government-funding deal and made a shutdown more likely. His intervention signals the growing sway of wealth in politics, and its risks.
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