Michael Schulman is a staff writer at The New Yorker, known for his insightful and engaging coverage of the entertainment industry, cultural phenomena, and social issues. With a background in film and theater, Schulman brings a unique perspective to his writing, offering readers a deep dive into the world of Hollywood, Broadway, and beyond.
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United States (National)
Michael's focus is primarily on entertainment news and lifestyle, with a significant emphasis on event coverage and profile features. He would likely be interested in pitches that offer unique access to events within the entertainment industry or provide an opportunity for profiling prominent figures in this space.
Given his interest in opinion editorials, Michael may also appreciate pitches from experts who can offer insightful commentary on trends within the entertainment world or thought-provoking perspectives on relevant social issues intersecting with the industry.
As his geographic focus is national (United States), consider tailoring your pitch to encompass topics related to American entertainment, Hollywood, as well as political and environmental aspects of the industry specific to the United States.
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The Tony-winning playwright’s dark, antic satires were many people’s gateway to theatre. I was one of those people.
By: Bruce Headlam, Roz Chast, Jackson Arn, Stephen Sherrill, Gideon Lewis-Kraus, Dhruv Khullar, Joyce Carol Oates, Maggie Doherty, Amanda Petrusich, Amy Davidson Sorkin, Anna Wiener, Rebecca Goldstein, Tracy K. Smith, Justin Chang, Rebecca Mead, Jennifer Wilson, Meg Bernhard, Naomi Fry, Helen Rosner, Michael Schulman, Alex Ross, Manvir Singh, Catherine Barnett
Innovation & Tech
By: John Paul Brammer, Hannah Goldfield, David Remnick, Michael Schulman, Benjamin Wallace-Wells
Will Keen and Michael Stuhlbarg, the stars of the play “Patriots,” about the rise of the Russian President, studied how Putin plays table tennis and why his hand trembles.
By: Susan B. Glasser, Michael Schulman, Danielle Mackey
Also: “Uncle Vanya” and “Staff Meal” reviewed, superstar pianists at Carnegie Hall, and more.
By: Ellen Bass, Paul Tran, Helen Rosner, Will Nediger, Justin Chang, Kelefa Sanneh, Dan Greene, Robert Sullivan, Casey Cep, Amanda Petrusich, D. T. Max, Parul Sehgal, Michael Schulman, Bess Kalb, Jennifer Wilson, Cynan Jones, Louis Menand, Helen Shaw, Benjamin Wallace-Wells, Nathan Heller
An archive of reporting, profiles, criticism, fiction, and cartoons from The New Yorker’s print magazine.
What explains the student movement against the war in Gaza? Sometimes the correct answer is the one right in front of you.
What’s happening this season in art, theatre, music, dance, and movies.
Readers respond to Gideon Lewis-Kraus’s piece on flying cars and Dhruv Khullar’s article on longevity.
“Did something in your cultivation change, / or does sensation wane with age?”
By: Kyle Chayka, Gideon Lewis-Kraus, Sarah Schmelling, Michael Schulman, Gary Shteyngart
Two new books by art-world authors explore online shareability and come to different conclusions about what creators stand to gain.
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