Bilge Ebiri is a film critic for New York and Vulture. He covers a range of topics within the arts and entertainment sector, focusing particularly on film and cinema, as well as theater. His work has been featured in prominent publications including Rolling Stone, Slate Magazine, and the New York Times.
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Bilge Ebiri predominantly covers film criticism and analysis, with a focus on providing reviews and insights into the world of cinema. This suggests that he is likely to be responsive to pitches related to interviews or commentary from industry professionals such as filmmakers, actors, or other experts in the field.
Given his focus on reviewing films and analyzing cinematic work, Bilge may value pitches that offer unique perspectives on trending movies or provide access to exclusive content related to filmmaking processes.
Since there's no specific geographic focus mentioned for Bilge Ebiri's coverage, it would be beneficial for outreach efforts related to entertainment news and movie reviews across various regions.
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It's quite a thing to see one's face 20 feet tall on a movie screen. Last year, at the Venice Film Festival, I attended a screening of a documentary
The Venice Film Festival has always felt a little bit like death to me. Partly this is thanks to films like Don't Look Now Death in Venice , and
Starting with the opening-night film, Danny Boyle’s Ink, an adaptation of a play about Rupert Murdoch.
Early on in Ink , Danny Boyle's electrifying adaptation of James Graham's award-winning 2017 play , a young Rupert Murdoch (Guy Pearce) invites his
Werner Herzog has evidently been trying to make Bucking Fastard for most of his career, and it's not hard to see why.
A melancholy hangout drama masquerading as a hit-man comedy, Martin McDonagh' s Wild Horse Nine plays at times like a more contemplative remake of
By: Bilge Ebiri
Released in 2025, the first part of Julia Loktev's monumental documentary project My Undesirable Friends , subtitled Last Air in Moscow , gave us
Part II closes an emotional circle that Julia Loktev’s staggering first film had just begun to delineate.
By: Bilge Ebiri
Written early in her career, Night and Day is not exactly one of Virginia Woolf's best-known novels.
The movie isn’t exactly faithful to one of Woolf’s lesser-known novels, but it has its charms, and Haley Bennett is luminous.
