Bob Abelman is a Professor Emeritus and a seasoned theater critic. He has written reviews for various publications, including The Austin Chronicle, Boston Globe Technology, and Motif Magazine. With a focus on local theater in Austin, Texas, Bob's reviews provide insights into the vibrant theater scene and highlight memorable moments in the performing arts.
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Bob Abelman's work primarily involves reviewing theatrical productions, with a specific focus on local performances in Austin and wider Texas. If you aim to reach out effectively, consider offering access to exclusive previews or behind-the-scenes insights into upcoming shows in the region.
Since Bob focuses heavily on providing reviews of theater productions, he might be interested in receiving invitations for press nights or early access to plays and musicals. Additionally, pitches that offer interviews with directors, playwrights, or actors involved in local theater could align well with his coverage interests.
Given Bob's localized focus within the United States (specifically Texas and Austin), tailor your pitches to highlight their relevance to these areas while also considering any broader implications for the theater industry at large.
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By: Liza Voll, Bob Abelman
Tom Stoppard’s verbal virtuosity drives this absolutely breathtaking staging
By: Julieta Cervantes, Bob Abelman
Formulaic musical memoir forces infectious Neil Diamond tunes from a lackluster narrative
By: Bob Abelman
PROVIDENCE, R.I. — There's something missing in this Rhode Island premiere of Heidi Schreck's autobiographical play, “What the Constitution Means to Me.” And that something is Heidi Schreck.
By: Bob Abelman
It is also a reminder that after 40 years, the Gamm Theatre in Warwick, R.I., is still one of the most dynamic theater companies in New England
By: Bob Abelman
But the reason the play was a finalist for the Pulitzer Prize is still in evidence in this Wilbury Theatre production
By: Bob Abelman
The script sets up well that we'll see these established characters creatively redefined as women, however, this production is not the reversal of gender but the absence of the characters' defining characteristics
Finding devoted volunteers and committed audiences have rarely been an issue, but keeping an affordable venue is a constant concern
By: Bob Abelman
Humanity’s unshakable attraction to warfare and its ramifications are unmistakable themes that run throughout this powerful play.
By: Bob Abelman
Stellar performances on stage and on piano drive this tale of 18th century genius and blind ambition
By: Bob Abelman
With this César Alvarez play, The Wilbury Theater Group has surpassed its quota for quirky, thought-provoking work
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