Bob Abelman is a Professor Emeritus and a seasoned theater critic. He has written reviews for various publications, including The Austin Chronicle, Boston Globe Technology, and Motif Magazine. With a focus on local theater in Austin, Texas, Bob's reviews provide insights into the vibrant theater scene and highlight memorable moments in the performing arts.
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United States (National)
Bob Abelman's work primarily involves reviewing theatrical productions, with a specific focus on local performances in Austin and wider Texas. If you aim to reach out effectively, consider offering access to exclusive previews or behind-the-scenes insights into upcoming shows in the region.
Since Bob focuses heavily on providing reviews of theater productions, he might be interested in receiving invitations for press nights or early access to plays and musicals. Additionally, pitches that offer interviews with directors, playwrights, or actors involved in local theater could align well with his coverage interests.
Given Bob's localized focus within the United States (specifically Texas and Austin), tailor your pitches to highlight their relevance to these areas while also considering any broader implications for the theater industry at large.
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By: Bob Abelman
The affectionate sendup of musical theater is a sure-fire crowd-pleaser being given a wonderful, sell-out worthy production.
By: Bob Abelman
The two-week Providence Fringe Festival takes place July 14–27 in indoor and outdoor venues across the city
By: Bob Abelman
Pawcatuck playwright/performer Sandra Laub tackles Israeli-Palestinian conflict
By: Bob Abelman
There is no shortage of theater traditionalists who think that the works of William Shakespeare need protection rather than reimagining, as if their playhouses were museums and not places to play.
By: Bob Abelman
SOUTH KINGSTOWN, R.I. — Touring, regional, and community theater productions of Rodgers and Hammerstein's 1959 Tony Award-winning “The Sound of
By: Bob Abelman
It takes a live production brimming with its own admirable attributes to get audiences to leave behind their expectations and give into an utterly enjoyable evening of live theater.
By: Bob Abelman
“42nd Street” is a perfect fit for Theatre By The Sea, the summer stock venue where every musical is chock full of fresh-faced ensemble members hoping to one day make a name for themselves
By: Bob Abelman
With the playwrights' signature comic mayhem in overdrive, an encounter is humorous. A well-timed reaction is even more so.
By: Liza Voll, Bob Abelman
Tom Stoppard’s verbal virtuosity drives this absolutely breathtaking staging
By: Julieta Cervantes, Bob Abelman
Formulaic musical memoir forces infectious Neil Diamond tunes from a lackluster narrative
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