Catey Sullivan

Remy Bumppo play about Robert Lowell and Elizabeth Bishop relies on letters that say much about what they're feeling but skimp on what they're living.

In Kokandy's production, the message is unmistakable — even when columns obstruct the view.

Director Sarafina Vecchio delivers an eerie, mostly effective take on Shakespeare’s gruesome tragedy.

In the world of “Annie,” singing a few refrains of “the sun'll come out tomorrow” and a cheery can-do outlook is all one needs to thrive.

“Beautiful Noise” is at its best when it lets the music take charge.

The musical version of Frances Hodgson Burnett's 1911 novel offers joy and some surprisingly relevant insights.

As Scrooge, Christopher Donahue is remarkable, moving from malevolent to benevolent in an epic arc that spans the emotional spectrum.

The production arrives with white-hot vibe reminiscent of “Six” circa 2019, or, if you're of a certain age, “Rent,” circa 1996. For pop music aficionados, it's unmissable. Ditto those who always found Juliet's story more troubling than romantic.

The musical comes complete with a fabulous 21st century sensibility roasted into its “farm-to-fable” tale.

Porchlight's revival of the musical based on Alison Bechdel's graphic family memoir finds the story's emotional and melodic heart.