Elisabeth Vincentelli is a freelance journalist and critic, known for her bylines in The New York Times and other publications. She co-hosts the "Marks & Vincentelli" podcast and has a focus on local arts and culture in the United States. With a passion for theater and film, Elisabeth's work covers a wide range of topics, including reviews, features, and recommendations.
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New York, United States (Local)
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Elisabeth Vincentelli focuses on reviewing and covering events related to theater, film, musicals, and science fiction within the United States. She primarily writes reviews but also covers events.
If reaching out to Elisabeth, consider providing her with access to exclusive previews or interviews with key figures in the entertainment industry. Offer insights into upcoming productions or behind-the-scenes information that would be of interest for her review coverage.
Given her focus on local coverage within the United States, pitches should emphasize their relevance to this geographic area. Any news regarding new releases, casting announcements or major events in the US entertainment industry could pique her interest.
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A family surrenders control of its life to artificial intelligence with predictably dire results — for this movie’s viewers.
By: Elisabeth Vincentelli
In addition to Broadway crowd-pleasers, the actor deftly navigated classics, experimental theater and new works by major contemporary playwrights.
By: Elisabeth Vincentelli
No theatrical wizardry is needed for this compelling drama about a woman’s journey to Australia from war-torn Sri Lanka and the generations that follow.
By: Elisabeth Vincentelli
If you ski or snowboard in the United States, a few destinations dominate itineraries and bucket lists: Vail, Park City, Aspen, Deer Valley, Jackson Hole.
By: Elisabeth Vincentelli
“We wanted to reinvent the show,” the actor said of his spinoff, “The Walking Dead: Daryl Dixon.” Filming in Madrid gave him time to explore the Prado.
Belarus Free Theater’s “KS6: Small Forward” and three other shows are reminders that there are many ways to portray conflicts and confrontations onstage.
In this month’s picks, time loops, aliens and ecological collapse.
The French absurdist director Quentin Dupieux did not make a biopic of Salvador Dalí — he adopted the Surrealist painter’s approach to deliver a particularly loopy tale.
By: Elisabeth Vincentelli
Inspired by Paul Verhoeven’s infamous 1995 film, “Showgirl” considers what it means to be an actress who gets naked.
By: Elisabeth Vincentelli
Egyptians stand up to their government in a play that excels in its design but rings hollow when its subtext and character development are scrutinized.
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